LEADER 03702nam 2200697 450 001 9910453349703321 005 20200520144314.0 010 $a1-4619-5249-2 010 $a1-78238-227-5 035 $a(CKB)2550000001163351 035 $a(EBL)1564646 035 $a(OCoLC)864139771 035 $a(SSID)ssj0001060313 035 $a(PQKBManifestationID)12397314 035 $a(PQKBTitleCode)TC0001060313 035 $a(PQKBWorkID)11087181 035 $a(PQKB)10534825 035 $a(MiAaPQ)EBC1564646 035 $a(Au-PeEL)EBL1564646 035 $a(CaPaEBR)ebr10806811 035 $a(CaONFJC)MIL545487 035 $a(EXLCZ)992550000001163351 100 $a20130701d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aScreening nature $ecinema beyond the human /$fedited by Anat Pick and Guinevere Narraway 210 1$aNew York :$cBerghahn Books,$d2013. 215 $a1 online resource (303 p.) 300 $aDescription based upon print version of record. 311 $a1-78238-226-7 311 $a1-306-14236-9 320 $aIncludes bibliographical references and index. 327 $aTitle page; Copyright; Contents; Illustrations; Acknowledgements; Introduction; Part I Eco-poetics Film, Form and the Natural World ; 1 Three Worlds ; 2 Ten Skies, 13 Lakes, 15 Pools - Structure, Immanence and Eco-aesthetics in The Swimmer and James Benning's Land Films; 3 Land as Protagonist - An Interview with James Benning ; Part II Zoe-tropes Envisioning the Nonhuman ; 4 Anthropomorphism and Its Vicissitudes ; 5 Animism and the Performative Realist Cinema of Apichatpong Weerasethakul ; 6 Was Blind But Now I See ; 7 Filming the Frozen South 327 $aPart III Eco-politics Environment, Image, Ideology 8 Dirty Pictures ; 9 Utopia in the Mud ; 10 Animals, Avatars and the Gendering of Nature ; 11 Buried Land ; Part IV Eco-praxis Film as Environmental Practice ; 12 Strange Seeing ; 13 The Art of Self-emptying and Ecological Integration ; 14 An Inconvenient Truth ; 15 Planet in Focus ; Notes on Contributors ; Index 330 $a Environmentalism and ecology are areas of rapid growth in academia and society at large. Screening Nature is the first comprehensive work that groups together the wide range of concerns in the field of cinema and the environment, and what could be termed "posthuman cinema." It comprises key readings that highlight the centrality of nature and nonhuman animals to the cinematic medium, and to the language and institution of film. The book offers a fresh and timely intervention into contemporary film theory through a focus on the nonhuman environment as principal register in many filmic texts. S 606 $aNature films$xHistory and criticism 606 $aEnvironmental protection and motion pictures 606 $aNature in motion pictures 606 $aEnvironmentalism in motion pictures 606 $aEcology in motion pictures 606 $aEnvironmental films$xHistory and criticism 608 $aElectronic books. 615 0$aNature films$xHistory and criticism. 615 0$aEnvironmental protection and motion pictures. 615 0$aNature in motion pictures. 615 0$aEnvironmentalism in motion pictures. 615 0$aEcology in motion pictures. 615 0$aEnvironmental films$xHistory and criticism. 676 $a791.43/66 701 $aPick$b Anat$f1955-$0949665 701 $aNarraway$b Guinevere$0949666 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453349703321 996 $aScreening nature$92146487 997 $aUNINA