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Preceduta da una epitome per Girolamo Scalamandré$9958470 997 $aUNISA LEADER 03702nam 2200697 450 001 9910453349703321 005 20200520144314.0 010 $a1-4619-5249-2 010 $a1-78238-227-5 035 $a(CKB)2550000001163351 035 $a(EBL)1564646 035 $a(OCoLC)864139771 035 $a(SSID)ssj0001060313 035 $a(PQKBManifestationID)12397314 035 $a(PQKBTitleCode)TC0001060313 035 $a(PQKBWorkID)11087181 035 $a(PQKB)10534825 035 $a(MiAaPQ)EBC1564646 035 $a(Au-PeEL)EBL1564646 035 $a(CaPaEBR)ebr10806811 035 $a(CaONFJC)MIL545487 035 $a(EXLCZ)992550000001163351 100 $a20130701d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aScreening nature $ecinema beyond the human /$fedited by Anat Pick and Guinevere Narraway 210 1$aNew York :$cBerghahn Books,$d2013. 215 $a1 online resource (303 p.) 300 $aDescription based upon print version of record. 311 $a1-78238-226-7 311 $a1-306-14236-9 320 $aIncludes bibliographical references and index. 327 $aTitle page; Copyright; Contents; Illustrations; Acknowledgements; Introduction; Part I Eco-poetics Film, Form and the Natural World ; 1 Three Worlds ; 2 Ten Skies, 13 Lakes, 15 Pools - Structure, Immanence and Eco-aesthetics in The Swimmer and James Benning's Land Films; 3 Land as Protagonist - An Interview with James Benning ; Part II Zoe-tropes Envisioning the Nonhuman ; 4 Anthropomorphism and Its Vicissitudes ; 5 Animism and the Performative Realist Cinema of Apichatpong Weerasethakul ; 6 Was Blind But Now I See ; 7 Filming the Frozen South 327 $aPart III Eco-politics Environment, Image, Ideology 8 Dirty Pictures ; 9 Utopia in the Mud ; 10 Animals, Avatars and the Gendering of Nature ; 11 Buried Land ; Part IV Eco-praxis Film as Environmental Practice ; 12 Strange Seeing ; 13 The Art of Self-emptying and Ecological Integration ; 14 An Inconvenient Truth ; 15 Planet in Focus ; Notes on Contributors ; Index 330 $a Environmentalism and ecology are areas of rapid growth in academia and society at large. Screening Nature is the first comprehensive work that groups together the wide range of concerns in the field of cinema and the environment, and what could be termed "posthuman cinema." It comprises key readings that highlight the centrality of nature and nonhuman animals to the cinematic medium, and to the language and institution of film. The book offers a fresh and timely intervention into contemporary film theory through a focus on the nonhuman environment as principal register in many filmic texts. S 606 $aNature films$xHistory and criticism 606 $aEnvironmental protection and motion pictures 606 $aNature in motion pictures 606 $aEnvironmentalism in motion pictures 606 $aEcology in motion pictures 606 $aEnvironmental films$xHistory and criticism 608 $aElectronic books. 615 0$aNature films$xHistory and criticism. 615 0$aEnvironmental protection and motion pictures. 615 0$aNature in motion pictures. 615 0$aEnvironmentalism in motion pictures. 615 0$aEcology in motion pictures. 615 0$aEnvironmental films$xHistory and criticism. 676 $a791.43/66 701 $aPick$b Anat$f1955-$0949665 701 $aNarraway$b Guinevere$0949666 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453349703321 996 $aScreening nature$92146487 997 $aUNINA LEADER 03826nam 22006615 450 001 9910874663503321 005 20240713130844.0 010 $a9783031654268$b(electronic bk.) 010 $z9783031654251 024 7 $a10.1007/978-3-031-65426-8 035 $a(MiAaPQ)EBC31526847 035 $a(Au-PeEL)EBL31526847 035 $a(CKB)32813337900041 035 $a(DE-He213)978-3-031-65426-8 035 $a(EXLCZ)9932813337900041 100 $a20240713d2024 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAddiction Literature's Past and Present /$fby Mark Ronan 205 $a1st ed. 2024. 210 1$aCham :$cSpringer Nature Switzerland :$cImprint: Palgrave Macmillan,$d2024. 215 $a1 online resource (323 pages) 311 08$aPrint version: Ronan, Mark Addiction Literature's Past and Present Cham : Palgrave Macmillan,c2024 9783031654251 327 $aPremodern Addiction and Addiction Literature -- Chapter One, Modern Conceptions of Addiction -- Chapter Two, Modern Addiction Literature -- Chapter Three, Premodern Addiction Discourse, Antiquity to Medieval -- Chapter Four, Addicted to Love -- Chapter Five, Anthropomorphised Beasts and Bestial Men -- Conclusion. 330 $aAddiction Literature's Past and Present aims to realign consideration of addiction as a transhistorical and transcultural aspect of the human condition. This book illuminates the premodern roots of the linguistic and narrative materials of addiction discourse and argues for Addiction Literature to be considered as a distinct literary phenomenon, with a history stretching back to Antiquity. Addiction, as it is understood in this book, exists at the intersection between appetite, habit and impaired personal behavioural agency. This book begins by exploring the ways in which we articulate the experience (both lived and observed) of addiction today, uncovering a core set of conceptual components and discursive tropes which are commonly associated with modern understandings of the phenomenon. Having established a common set of tropes and features which distinguish modern Addiction Literature as a distinct literary mode, it then considers premodern texts through this lens, revealing similar patterns of conception and convention in a broad range of historical periods and literary genres from Aesop to Shakespeare. Mark Ronan is an adult literacy tutor working primarily with recovering substance-users and providing support for everything from basic literacy skills to creative and reflective personal writing. 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