LEADER 04007nam 2200685Ia 450 001 9910453334903321 005 20200520144314.0 010 $a0-7735-3906-9 035 $a(CKB)2550000001140637 035 $a(EBL)3282237 035 $a(SSID)ssj0000802226 035 $a(PQKBManifestationID)11438728 035 $a(PQKBTitleCode)TC0000802226 035 $a(PQKBWorkID)10811914 035 $a(PQKB)10213433 035 $a(CEL)444308 035 $a(OCoLC)811411349 035 $a(CaBNVSL)slc00230656 035 $a(MiAaPQ)EBC3332476 035 $a(Au-PeEL)EBL3332476 035 $a(CaPaEBR)ebr10595584 035 $a(OCoLC)923237838 035 $a(EXLCZ)992550000001140637 100 $a20110608d2011 uy 0 101 0 $aeng 135 $aurcn||||||a|| 181 $ctxt 182 $cc 183 $acr 200 10$aMuseum pieces$b[electronic resource] $etoward the indigenization of Canadian museums /$fRuth B. Phillips 210 $aMontreal ;$aIthaca $cMcGill-Queen's University Press$dc2011 215 $a1 online resource (393 p.) 225 1 $aMcGill-Queen's/Beaverbrook Canadian Foundation studies in art history ;$v[7] 311 $a0-7735-8746-2 311 $a0-7735-3905-0 320 $aIncludes bibliographical references and index. 327 $aPt. 1. Confrontation and contestation. Undoing the Settler Museum: showing off and showing up. "Arrow of truth": the Indians of Canada Pavilion at Expo 67 / with Sherry Brydon -- Moment of truth: The Spirit Sings as critical event and the exhibition inside it -- APEC at the Muesum of Anthropology: the politics of site and the poetics of sight bite -- 327 $aPt. 2. Re-disciplining the museum. Exclusions and inclusions: authenticity, sacrality, and possession. How museums marginalize: naming domains of inclusion and exclusion -- Fielding culture: dialogues between art history and anthropology -- Disappearing acts: traditions of exposure, traditions of enclosure, and the sacrality of Onkwehonwe medicine masks -- The global travels of a Mi'kmaq coat: colonial legacies, repatriation, and the new cosmopolitanism -- 327 $aPt. 3. Working it out. Indigenizing exhibitions: experiments and practices. Making space: First Nations artists, the National Museums, and the Columbus Quincentennial (1992) -- Cancelling white noise: Gerald McMaster's Savage Graces (1994) -- Threads of the Land at the Canadian Museum of Civlization (1995) -- Toward a dialogic paradigm: new models of collaborative curatorial practice -- Inside-out and outside-in: re-presenting native North America at the Canadian Museum of Civilization and the National Museum of American Indian (2003-2004) -- 327 $aPt. 4. The second museum age. Working with hybridity. From harmony to antiphony: the indigenous presence in a (future) Portrait Gallery of Canada -- Modes of inclusion: indigenous art at the National Gallery of Canada and the Art Gallery of Ontario -- The digital (r)evolution of museums-based research -- "Learning to feed off controversies": meeting the challenges of translation and recovery in Canadian museums. 330 $aEmphasizes the transformative power of museum controversy and analyses shifting ideas about art, authenticity, and power in the modern museum. 410 0$aMcGill-Queen's/Beaverbrook Canadian Foundation studies in art history. 606 $aMuseum exhibits$zCanada 606 $aMuseums and Indians$zCanada 606 $aMuseums$xPolitical aspects$zCanada 606 $aMuseums$xSocial aspects$zCanada 608 $aElectronic books. 615 0$aMuseum exhibits 615 0$aMuseums and Indians 615 0$aMuseums$xPolitical aspects 615 0$aMuseums$xSocial aspects 676 $a305.89707107 700 $aPhillips$b Ruth B$g(Ruth Bliss),$f1945-$0927255 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453334903321 996 $aMuseum pieces$92083442 997 $aUNINA