LEADER 03204nam 22006131 450 001 9910453218703321 005 20200520144314.0 010 $a0-7391-6966-1 010 $a0-7391-6968-8 035 $a(CKB)2550000001160033 035 $a(EBL)1557260 035 $a(SSID)ssj0001060465 035 $a(PQKBManifestationID)12415449 035 $a(PQKBTitleCode)TC0001060465 035 $a(PQKBWorkID)11087227 035 $a(PQKB)10912140 035 $a(MiAaPQ)EBC1557260 035 $a(Au-PeEL)EBL1557260 035 $a(CaPaEBR)ebr10805171 035 $a(CaONFJC)MIL543238 035 $a(OCoLC)863157812 035 $a(EXLCZ)992550000001160033 100 $a20130710h20132013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aWalking the line $ecountry music lyricists and American culture /$fedited by Thomas Alan Holmes and Roxanne Harde 210 1$aLanham, Maryland :$cLexington Books,$d[2013] 210 4$dİ2013 215 $a1 online resource (289 p.) 300 $aDescription based upon print version of record. 311 $a0-7391-6967-X 311 $a1-306-11987-1 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgements; Credits; Introduction; Chapter One: "Nobody Knows but Me"; Chapter Two: Cindy Walker, Lyle Lovett, and the West; Chapter Three: "Help Your Brother along the Road"; Chapter Four: JC: Johnny Cash and Faith; Chapter Five: Religious Doctrine in the Mid-1970s to 1980s Country Music Concept Albums of Willie Nelson; Chapter Six: Grace to Catch a Falling Soul; Chapter Seven: Loretta Lynn, Appalachian Storyteller and Autobiographer; Chapter Eight: "Branded" Man: Merle Haggard's Romance of the Outlier; Chapter Nine: Townes Van Zandt 327 $aChapter Ten: Wildness, Eschatology, and Enclosure in the Songs of Townes Van ZandtChapter Eleven: "Where it counts I'm real"; Chapter Twelve: "Sin City"; Chapter Thirteen: Weeping Willows and Long Black Veils; Chapter Fourteen: "They draft the white trash first 'round here anyway"; Index; About the Contributors 330 $aWalking the Line: Country Music Lyricists and American Culture examines how country songwriters engage with their nation's religion, literature, and politics. Walking the line requires following strict codes, respecting territories, and, sometimes, yearning to break those bonds. This collection's essays explore how iconic country lyricists such as Johnny Cash, Dolly Parton, and Steve Earle have tested and expanded such boundaries, challenging musical, social, and political conventions, often reevaluating what "country" means in country musi 606 $aCountry music$xHistory and criticism 606 $aLyricists$zUnited States 608 $aElectronic books. 615 0$aCountry music$xHistory and criticism. 615 0$aLyricists 676 $a782.4216420973 701 $aHolmes$b Thomas Alan$0912004 701 $aHarde$b Roxanne$0912005 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453218703321 996 $aWalking the line$92042159 997 $aUNINA