LEADER 05170nam 2200841 a 450 001 9910450348403321 005 20211006012632.0 010 $a0-19-028700-4 010 $a1-280-53530-X 010 $a1-282-36737-4 010 $a9786612367373 010 $a9786610535309 010 $a0-19-803323-0 010 $a1-60256-459-0 035 $a(CKB)1000000000029041 035 $a(StDuBDS)AH24085615 035 $a(SSID)ssj0000084110 035 $a(PQKBManifestationID)11121125 035 $a(PQKBTitleCode)TC0000084110 035 $a(PQKBWorkID)10185309 035 $a(PQKB)10290086 035 $a(MiAaPQ)EBC241282 035 $a(MiAaPQ)EBC5121586 035 $a(Au-PeEL)EBL241282 035 $a(CaPaEBR)ebr10084836 035 $a(CaONFJC)MIL236737 035 $a(OCoLC)475955947 035 $a(MiAaPQ)EBC2012806 035 $a(Au-PeEL)EBL2012806 035 $a(Au-PeEL)EBL5121586 035 $a(CaONFJC)MIL53530 035 $a(OCoLC)1027200567 035 $a(EXLCZ)991000000000029041 100 $a20020201d2003 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEmbracing the East$b[electronic resource] $ewhite women and American orientalism /$fMari Yoshihara 210 $aOxford ;$aNew York $cOxford University Press$d2003 215 $a1 online resource (272 p. )$cill 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-19-514533-X 311 $a0-19-514534-8 320 $aIncludes bibliographical references (p. [221]-235) and index. 327 $tIntroduction --$tPART ONE: Materializing Asia --$t1. Asia as Spectacle and Commodity: The Feminization of Orientalist Consumption --$t2. Visualizing Orientalism: Women Artists' "Asian" Prints --$tPART TWO: Performing Asia --$t3. "When I Don Your Silken Draperies": New Women's Performances of Asian Heroines --$t4. Racial Masquerade and Literary Orientalism: Amy Lowell's "Asian" Poetry --$t5. "Side by Side with These Men I Lie at Night": Sexuality and Agnes Smedley's Radicalism --$tPART THREE: Authorizing Asia --$t6. "Popular Expert on China": Authority and Gender in Pearl S. Buck's The Good Earth --$t7. Re-gendering the Enemy: Culture and Gender in Ruth Benedict's The Chrysanthemum and the Sword --$tConclusion 330 $aThis study ranges across American literature, art & popular culture to examine how white American women found new forms of expression, and freedom in their construction of Orientalism. This interdisciplinary work draws on diverse materials and approaches, including performance studies & literary analysis. 330 $bAs exemplified by Madame Butterfly, East-West relations have often been expressed as the relations between the masculine, dominant West and the feminine, submissive East. Yet, this binary model does not account for the important role of white women in the construction of Orientalism. Mari Yoshihara's study examines a wide range of white women who were attracted to Japan and China in the late nineteenth and early twentieth century and shows how, through their engagement with Asia, these women found new forms of expression, power, and freedom that were often denied to them in other realms of their lives in America. She demonstrates how white women's attraction to Asia shaped and was shaped by a complex mix of exoticism for the foreign, admiration for the refined, desire for power and control, and love and compassion for the people of Asia. Through concrete historical narratives and careful textual analysis, she examines the ideological context for America's changing discourse about Asia and interrogates the power and appeal--as well as the problems and limitations--of American Orientalism for white women's explorations of their identities. Combining the analysis of race and gender in the United States and the study of U.S.-Asian relations, Yoshihara's work represents the transnational direction of scholarship in American Studies and U.S. history. 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