LEADER 03021nam 2200685 a 450 001 9910453149603321 005 20200520144314.0 010 $a0-252-09387-9 010 $a1-283-99350-3 035 $a(CKB)2550000000996646 035 $a(EBL)3414195 035 $a(SSID)ssj0000827176 035 $a(PQKBManifestationID)12427442 035 $a(PQKBTitleCode)TC0000827176 035 $a(PQKBWorkID)10838783 035 $a(PQKB)10100584 035 $a(MiAaPQ)EBC3414195 035 $a(StDuBDS)EDZ0000649252 035 $a(OCoLC)826443610 035 $a(MdBmJHUP)muse25147 035 $a(PPN)234448830 035 $a(Au-PeEL)EBL3414195 035 $a(CaPaEBR)ebr10651014 035 $a(CaONFJC)MIL430600 035 $a(EXLCZ)992550000000996646 100 $a20110630d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSaving the world$b[electronic resource] $ea brief history of communication for development and social change /$fEmile G. 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[157-168]) and index. 327 $aCommunication in the lives of the globe -- Saving the world : beginning of communication for development -- Globalization, discourse and development communication : Unesco as prime mover -- Communication for development : does it work? -- Rethinking the paradigm : the dependency phase -- Another paradigm : participatory communication -- Paradigm for a new millennium : social entrepreneurship -- Past, present and future : an agenda for 2015 and beyond -- The future : some final thoughts. 330 8 $aDrawing on the pioneering works of Daniel Lerner, Everett Rogers, and Wilbur Schramm as well as his own personal experiences in the field, McAnany builds a new, historically cognizant paradigm of communication for development and social change for the future that supplements technology with social entrepreneurship. 410 0$aHistory of communication. 606 $aCommunication in economic development$xHistory 606 $aCommunication in rural development$xHistory 606 $aCommunication in social action$xHistory 606 $aMass media$xSocial aspects$xHistory 608 $aElectronic books. 615 0$aCommunication in economic development$xHistory. 615 0$aCommunication in rural development$xHistory. 615 0$aCommunication in social action$xHistory. 615 0$aMass media$xSocial aspects$xHistory. 676 $a338.9001/4 700 $aMcAnany$b Emile G$0864424 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453149603321 996 $aSaving the world$91929395 997 $aUNINA LEADER 03243nam 22006014a 450 001 9910777858103321 005 20230607221936.0 010 $a1-281-72168-9 010 $a9786611721688 010 $a0-300-12823-1 024 7 $a10.12987/9780300128239 035 $a(CKB)1000000000471903 035 $a(StDuBDS)BDZ0022171425 035 $a(SSID)ssj0000270780 035 $a(PQKBManifestationID)11211725 035 $a(PQKBTitleCode)TC0000270780 035 $a(PQKBWorkID)10262274 035 $a(PQKB)10715722 035 $a(StDuBDS)EDZ0000165606 035 $a(MiAaPQ)EBC3419912 035 $a(DE-B1597)484981 035 $a(OCoLC)1023999376 035 $a(DE-B1597)9780300128239 035 $a(Au-PeEL)EBL3419912 035 $a(CaPaEBR)ebr10169938 035 $a(CaONFJC)MIL172168 035 $a(OCoLC)923588423 035 $a(EXLCZ)991000000000471903 100 $a20011026d2002 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWhat to listen for in rock$b[electronic resource] $ea stylistic analysis /$fKen Stephenson 210 $aNew Haven $cYale University Press$dc2002 215 $a1 online resource (1 online resource (xvii, 253 p.) )$cmusic 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-300-09239-3 320 $aIncludes discography (p. 195-196), bibliographical references (p. 197-217), and index. 327 $aPhrase rhythm -- Key and mode -- Cadences -- Chord type and harmonic palette -- Harmonic succession -- Form -- Analyzing a hit. 330 $aIn this concise and engaging analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950's to the present, emphasizing the theoretical underpinnings of the style and, for the first time, systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The book addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides richly detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the past half-century and within most substyles. For music students at the college level and for practicing rock musicians who desire a deeper understanding of their music, this book is an essential resource. 606 $aRock music$xAnalysis, appreciation 615 0$aRock music$xAnalysis, appreciation. 676 $a781.66/117 700 $aStephenson$b Ken$f1959-$01571264 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777858103321 996 $aWhat to listen for in rock$93845569 997 $aUNINA