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200 1 $aElectromechanical engineering$ean introduction$fCharles Fraser and John Milne
210   $aNew York$cIEEE Press$dcopyr. 1994
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183   $acr
200 00$aPerforming memory in art and popular culture /$fedited by Liedeke Plate and Anneke Smelik
210  1$aNew York :$cRoutledge,$d2013.
215   $a1 online resource (242 p.)
225 1 $aRoutledge research in cultural and media studies ;$v48
300   $aDescription based upon print version of record.
311   $a1-138-64224-X 
311   $a0-415-81140-6 
320   $aIncludes bibliographical references and index.
327   $apt. 1. Staging memory -- pt. 2. Spectral memories -- pt. 3. Embodied memories -- pt. 4. Mediating memories.
330   $a"This volume pursues a new line of research in cultural memory studies by understanding memory as a performative act in art and popular culture. The authors take their cue from the observation that art and popular culture enact memory and generate processes of memory. They do memory, and in this doing of memory new questions about the cultural dimensions of memory arise: How do art objects and artistic practices perform the past in the present? What is their relationship to the archive? Does the past speak in the performed past (or do we speak to it)? To what purpose do objects "recall"? And for whom do they recollect? Here authors combine a methodological focus on memory as performance with a theoretical focus on art and popular culture as practices of remembrance. The essays in the book thus analyze what is at stake in the complex processes of remembering and forgetting, of recollecting and disremembering, of amnesia and anamnesis, that make up cultural memory. "--$cProvided by publisher.
410  0$aRoutledge research in cultural and media studies ;$v48.
606   $aMass media and the arts
606   $aCollective memory
606   $aArt and popular culture
606   $aLiterature$xStudy and teaching (Elementary)
608   $aElectronic books.
615  0$aMass media and the arts.
615  0$aCollective memory.
615  0$aArt and popular culture.
615  0$aLiterature$xStudy and teaching (Elementary)
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