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135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 10$aSupercinema$b[electronic resource] $efilm-philosophy for the digital age /$fWilliam Brown
205   $a1st ed.
210   $aNew York $cBerghahn Books$d2013
215   $a1 online resource (196 p.)
300   $aDescription based upon print version of record.
311   $a0-85745-949-X 
311   $a1-299-77794-5 
320   $aIncludes bibliographical references and index.
327   $aDigital cinema's conquest of space -- The deanthropocentric character of digital cinema -- From temporalities to time in digital cinema -- The film-spectator-world assemblage -- Concluding with love.
330   $a Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the use of continued conventions more suited to analogue cinema, in a way that is analogous to t
606   $aMotion pictures
606   $aDigital cinematography
608   $aElectronic books.
615  0$aMotion pictures.
615  0$aDigital cinematography.
676   $a777
700   $aBrown$b William$f1977-$01027339
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910453086403321
996   $aSupercinema$92442705
997   $aUNINA