LEADER 02143nam 2200565Ia 450 001 9910453082603321 005 20180309214815.0 010 $a1-299-44330-3 010 $a1-84638-108-8 035 $a(CKB)2550000001018338 035 $a(EBL)3339602 035 $a(SSID)ssj0000907310 035 $a(PQKBManifestationID)12431274 035 $a(PQKBTitleCode)TC0000907310 035 $a(PQKBWorkID)10855487 035 $a(PQKB)10443051 035 $a(MiAaPQ)EBC3339602 035 $a(EXLCZ)992550000001018338 100 $a20121022d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHelio Oiticica and Neville D'Almeida$b[electronic resource] $eblock -experiments in Cosmococa -- program in progress /$fSabeth Buchmann and Max Jorge Hinderer Cruz 210 $aLondon $cAfterall Books$d2013 215 $a1 online resource (129 p.) 225 1 $aOne work 300 $aDescription based upon print version of record. 311 $a1-84638-096-0 327 $aOne Work Series; Contents; 1. Beginnings and 'Begeenings'; 2. Jardim de Guerra, Mangue Bangue, Cosmococa: CC1, CC3, CC5; 3. Jardim Bota?nico, Whitechapel, Babylon: The Supra-sensorial Genealogy of the Cosmococas and Their Extended Media Apparatus; 4. Entangled Genres, Entangled Media: Tropica?lia, CC2, CC4, CC6; 5. The Cosmococas Through a Different Media Theory: CC1 Trashiscapes; 6. Postscript: Looking Back at the 'Begeenings'; End notes 410 0$aOne work. 606 $aConceptual art$zBrazil 606 $aInstallations (Art)$zBrazil 606 $aMultimedia (Art)$zBrazil 608 $aElectronic books. 615 0$aConceptual art 615 0$aInstallations (Art) 615 0$aMultimedia (Art) 676 $a740.92 700 $aBuchmann$b Sabeth$0999760 701 $aAlmeida$b Neville d'$0999761 701 $aHinderer Cruz$b Max Jorge$0999762 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910453082603321 996 $aHelio Oiticica and Neville D'Almeida$92295001 997 $aUNINA LEADER 03787oam 2200541 450 001 9910814645303321 005 20170523091616.0 010 $a1-282-07368-0 010 $a9786612073687 024 7 $a10.1515/9783598440335 035 $a(OCoLC)643557907 035 $a(MiFhGG)GVRL2ERT 035 $a(EXLCZ)991000000000712000 100 $a20060929d2006 uy 0 101 0 $aeng 135 $aurun|---uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIFLA cataloguing principles $esteps towards an international cataloguing code, 3 : report from the 3rd IFLA Meeting of Experts on an International Cataloguing Code, Cairo, Egypt, 2005 /$fedited by Barbara B. Tillett, Khaled Mohamed Reyad, and Ana Lupe Cristan 210 $aMu?nchen $cK.G. Saur$d2006 210 1$aMunchen, Germany :$cK.G. Saur,$d2006. 215 $a1 online resource (197 pages) $cillustrations 225 1 $aIFLA series on bibliographic control ;$vv. 29 300 $a"The Third IFLA Meeting of Experts on an International Cataloguing Code (IME ICC3) was held December 12-14, 2005 ... in Cairo, Egypt."--Introd. 311 $a3-598-24278-6 311 $a3-598-44033-2 320 $aIncludes bibliographical references. 327 $t Frontmatter -- $tTable of Contents -- $tWelcome Words from the Head of the National Library of Egypt -- $tIFLA Welcome -- $tIntroduction -- $tStatement of International Cataloguing Principles -- $tClean-copy Draft of April 2006 -- $tGLOSSARY -- $tSUMMARY VOTES BY THE IME ICC1 AND IME ICC2 ON THE RECOMMENDATIONS OF THE IME ICC3, MARCH 2006 -- $tPresentation Papers -- $tIFLA'S ISBD PROGRAMME: PURPOSE, PROCESS, AND PROSPECTS -- $tBRAVE NEW FRBR WORLD (Version 3) -- $tA VIRTUAL INTERNATIONAL AUTHORITY FILE (VIAF) -- $tLEBANESE COUNTRY REPORT -- $tBackground Papers -- $tSTATEMENT OF PRINCIPLES: ADOPTED BY THE INTERNATIONAL CONFERENCE ON CATALOGUING PRINCIPLES PARIS, OCTOBER 1961 -- $tRESULTS OF THE CODE COMPARISONS: A SUMMARY -- $tOVERVIEW OF THE DRAFT STATEMENT OF INTERNATIONAL CATALOGUING PRINCIPLES -- $tRecommendations from the IME ICC3 Working Groups -- $tWORKING GROUP 1 - PERSONAL NAMES -- $tWorking Group 2 - Corporate Names -- $tWORKING GROUP 3 - SERIALITY -- $tWORKING GROUP 4 - UNIFORM TITLES/GMD -- $tWORKING GROUP 5 - MULTIVOLUME/MULTIPART STRUCTURES -- $t Backmatter 330 $aThis is the latest report in a process towards International Cataloguing Principles that began in 2003 and will continue through 2007. Through the series of meetings represented by each volume the reader will be able to track the development and consultation taking place throughout the different parts of the world that will culminate with the creation of a truly international set of principles to guide the development of cataloguing codes worldwide. This volume contains information in English and Arabic on the recommendations of cataloguing experts from countries in the Arabic-speaking Middle 410 0$aIFLA series on bibliographic control ;$vv. 29. 606 $aCataloging$xStandards$vCongresses 606 $aDescriptive cataloging$vRules$vCongresses 615 0$aCataloging$xStandards 615 0$aDescriptive cataloging 676 $a025.31 686 $aAN 74500$2rvk 702 $aTillett$b Barbara B. 702 $aReyad$b Khaled Mohamed 702 $aCristan$b Ana Lupe 712 02$aInternational Federation of Library Associations and Institutions.$bCataloguing Section. 712 02$aInternational Federation of Library Associations and Institutions.$bDivision of Bibliographic Control. 801 0$bMiFhGG 801 1$bMiFhGG 906 $aBOOK 912 $a9910814645303321 996 $aIFLA cataloguing principles$93941619 997 $aUNINA LEADER 03444oam 22006494a 450 001 9910524705503321 005 20251107102935.0 010 $a0-8018-5971-9 035 $a(CKB)4100000010461144 035 $a(OCoLC)1138592743 035 $a(MdBmJHUP)muse82421 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/89009 035 $a(MiAaPQ)EBC29139150 035 $a(Au-PeEL)EBL29139150 035 $a(oapen)doab89009 035 $a(OCoLC)1285643411 035 $a(EXLCZ)994100000010461144 100 $a20191230h20191998 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMartini, Straight Up$eThe Classic American Cocktail /$fLowell Edmunds 205 $aRevised edition. 210 $cJohns Hopkins University Press 215 $a1 online resource (xxix, 153 pages) $cillustrations (some color) 300 $aOriginally published by Johns Hopkins University Press in 1998 300 $aRevised edition of: The silver bullet / Lowell Edmunds. 1981. 300 $aThe text of this book is licensed under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 International License 300 $aOpen access edition supported by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. 311 08$a1-4214-3768-6 311 08$a1-4214-3769-4 320 $aIncludes bibliographical references (pages 125-145) and index. 327 $aTime Line: The Martini Decade by Decade -- The Simple Messages of the Martini. Message 1. The Martini is American -- it is not European, Asian, or African. Message 2. The Martini is urban and urbane -- it is not rural or rustic. Message 3. The Martini is a high-status, not a low-status, drink. Message 4. The Martini is a man's, not a woman's, drink. Message 5. The Martini is optimistic, not pessimistic. Message 6. The Martini is the drink of adults, not of children. Message 7. The Martini belongs to the past, not to the present. The Simple Messages Reconsidered -- The Ambiguities of the Martini. Ambiguity 1. The Martini is civilized -- the Martini is uncivilized. Ambiguity 2. The Martini unites -- the Martini separates. 330 1 $a"In this engaging look at the classic cocktail, Lowell Edmunds traces the history of the Martini back to its American origins in the nineteenth century. Exploring literary and dramatic works as well as newspapers, magazines, cartoons, bartenders' manuals, distillery brochures, and other documents of popular culture, Edmunds finds in the Martini's image the same ambiguities that characterize American life."--Jacket. 606 $aMartini$gGetränk$2gnd$3(DE-588)4501294-5 606 $aMartinis$2fast$3(OCoLC)fst01010895 606 $aDrinking customs$2fast$3(OCoLC)fst00898195 606 $aDrinking customs$zUnited States$xHistory 606 $aMartinis 607 $aUnited States$2fast 608 $aHistory. 615 7$aMartini 615 0$aMartinis. 615 0$aDrinking customs. 615 0$aDrinking customs$xHistory. 615 0$aMartinis. 676 $a641.8/74 700 $aEdmunds$b Lowell$0206633 701 $aEdmunds$b Lowell$0206633 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910524705503321 996 $aMartini, Straight Up$92784184 997 $aUNINA