LEADER 03357nam 2200625Ia 450 001 9910453072103321 005 20200520144314.0 010 $a94-012-0929-4 024 7 $a10.1163/9789401209298 035 $a(CKB)2550000001108858 035 $a(EBL)1336274 035 $a(OCoLC)855504865 035 $a(SSID)ssj0001057299 035 $a(PQKBManifestationID)11565334 035 $a(PQKBTitleCode)TC0001057299 035 $a(PQKBWorkID)11063854 035 $a(PQKB)10018736 035 $a(MiAaPQ)EBC1336274 035 $a(OCoLC)854754375$z(OCoLC)855504865$z(OCoLC)961643557$z(OCoLC)962622804$z(OCoLC)969507089$z(OCoLC)978591492$z(OCoLC)978890648 035 $a(nllekb)BRILL9789401209298 035 $a(Au-PeEL)EBL1336274 035 $a(CaPaEBR)ebr10738832 035 $a(CaONFJC)MIL508945 035 $a(EXLCZ)992550000001108858 100 $a20130724d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTheatre, opera and consciousness$b[electronic resource] $ehistory and current debates /$fDaniel Meyer-Dinkgrafe 210 $aAmsterdam ;$aNew York $cRodopi$d2013 215 $a1 online resource (236 p.) 225 0 $aConsciousness, literature and the arts ;$v33 300 $aDescription based upon print version of record. 311 $a90-420-3663-X 311 $a1-299-77694-9 320 $aIncludes bibliographical references (p. 217-234) and index. 327 $aPreliminary Material -- Acknowledgments -- Introduction -- Consciousness and Western Theatre History: Theory and Examples -- Consciousness and Ethics -- Consciousness and the concept of Guru in South Asian spiritual and artistic traditions: contemporary relevance and future potential. -- Consciousness, warm-up, cool-down and the actor as observer -- Opera and Spirituality -- Spiritual Aspects of Operatic Singing: Klaus Florian Vogt -- Spirituality and Operatic Conducting -- Conclusion and Outlook -- Bibliography -- Index. 330 $aThe study of consciousness has developed considerably over the past ten years, with an emphasis on seeking to explain subjective experience. Our understanding of key questions relating to the performing arts, in theory and practice, benefits from the insights of consciousness studies. Theatre, Opera and Consciousness discusses selected concerns of theatre history from a consciousness studies perspective, develops a new perspective on ethical implications of theatre practice, reassesses the concept of the guru , and offers a new approach to the actor?s cool-down. 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