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100   $a20180706d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aTwentieth-century music theory and practice /$fEdward Pearsall
210  1$aNew York :$cRoutledge,$d2012.
215   $a1 online resource (313 p.)
300   $aDescription based upon print version of record.
311   $a0-415-88896-4 
311   $a0-415-88895-6 
320   $aIncludes bibliographical references and index.
327   $aScales, harmony, and referential collections -- Pitch and interval -- Sets and segmentation -- Unordered sets and their operations -- Set class analysis -- Ordered pitch sets and their operations -- Rhythm and contour -- Ordered pc-sets and rows -- Texture and sound color.
330   $aTwentieth-Century Music Theory and Practice introduces a number of tools for analyzing a wide range of twentieth-century musical styles and genres. It includes discussions of harmony, scales, rhythm, contour, post-tonal music, set theory, the twelve-tone method, and modernism. Recent developments involving atonal voice leading, K-nets, nonlinearity, and neo-Reimannian transformations are also engaged. While many of the theoretical tools for analyzing twentieth century music have been devised to analyze atonal music, they may also provide insight into a much broader array of styles.
606   $aMusic theory$xHistory$y20th century
608   $aElectronic books.
615  0$aMusic theory$xHistory
676   $a781.09/04
700   $aPearsall$b Edward$f1954-,$0940051
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910452990303321
996   $aTwentieth-century music theory and practice$92119600
997   $aUNINA