LEADER 02111nam 2200541Ia 450 001 9910452903503321 005 20200520144314.0 010 $a0-292-73783-1 035 $a(CKB)2550000000104651 035 $a(OCoLC)801411607 035 $a(CaPaEBR)ebrary10576478 035 $a(SSID)ssj0000689097 035 $a(PQKBManifestationID)11387586 035 $a(PQKBTitleCode)TC0000689097 035 $a(PQKBWorkID)10618355 035 $a(PQKB)11720427 035 $a(MiAaPQ)EBC3443607 035 $a(MdBmJHUP)muse17582 035 $a(Au-PeEL)EBL3443607 035 $a(CaPaEBR)ebr10576478 035 $a(OCoLC)932314263 035 $a(EXLCZ)992550000000104651 100 $a20111125d2012 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe fictional Christopher Nolan$b[electronic resource] /$fby Todd McGowan 205 $a1st ed. 210 $aAustin $cUniversity of Texas Press$d2012 215 $a1 online resource (233 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-292-73782-3 320 $aIncludes bibliographical references and index. 327 $aIntroduction: the ethics of the lie -- The snare of truth: Following and the perfect patsy -- Memento and the desire not to know -- The dirty cop: Insomnia and the art of detection -- The banal superhero: the politicized realism of Batman begins -- The violence of creation in The prestige -- The hero's form of appearance: the necessary darkness of The dark knight -- A plea for the abandonment of reality in Inception -- Conclusion: lying without consequence. 606 $aMotion picture producers and directors$xHistory and criticism 608 $aElectronic books. 615 0$aMotion picture producers and directors$xHistory and criticism. 676 $a791.4302/33092 700 $aMcGowan$b Todd$0776541 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452903503321 996 $aThe fictional Christopher Nolan$91997045 997 $aUNINA