LEADER 02980oam 2200613I 450 001 9910452834603321 005 20200520144314.0 010 $a0-203-75383-6 010 $a1-299-47977-4 010 $a1-134-96425-0 024 7 $a10.4324/9780203753835 035 $a(CKB)2550000001020167 035 $a(EBL)1433936 035 $a(SSID)ssj0000904476 035 $a(PQKBManifestationID)11493047 035 $a(PQKBTitleCode)TC0000904476 035 $a(PQKBWorkID)10921177 035 $a(PQKB)11332684 035 $a(MiAaPQ)EBC1433936 035 $a(Au-PeEL)EBL1433936 035 $a(CaPaEBR)ebr10689635 035 $a(CaONFJC)MIL479227 035 $a(OCoLC)841170713 035 $a(OCoLC)900416784 035 $a(EXLCZ)992550000001020167 100 $a20180706d1988 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBodily communication /$fMichael Argyle 205 $a2nd ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d1988. 215 $a1 online resource (650 p.) 300 $aReprinted 2007. 311 $a1-138-46735-9 311 $a0-415-05114-2 320 $aIncludes bibliographical references and indexes. 327 $aCover; Half Title; Title Page; Copyright; Contents; List of illustrations; Preface to second edition; Acknowledgements; 1. Introduction; 2. How to do research on non-verbal communication; 3. Non-verbal communication in animals; 4. Cultural differences in bodily communication; 5. The expression of emotion; 6. Interpersonal attitudes; 7. Non-verbal communication and speech; 8. Facial expression; 9. Non-verbal vocalizations; 10. Gaze; 11. Spatial behaviour; 12. Gestures and other bodily movements; 13. Posture; 14. Touch and bodily contact; 15. Clothes, physique, and other aspects of appearance 327 $a16. Social skills, persuasion, and politics17. Personality and NVC; 18. The explanation of bodily communication; 19. Beyond language; References; Author index; Subject index 330 $aNon-verbal communication - the eye movements, facial expressions, tone of voice, postures and gestures that we all use more or less consciously and more or less effectively - can enhance or diminish every form of social interaction. Michael Argyle's second edition of Bodily Communication is an invaluable up-to-date guide for students of the subject. In the last ten years NVC has become recognized as an important part of social psychology and of professional training, particularly in social work, education and management.Greatly expanded from the first edition, and significantly re 606 $aBody language 608 $aElectronic books. 615 0$aBody language. 676 $a302.2/22 700 $aArgyle$b Michael.$0127516 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452834603321 996 $aBodily communication$954988 997 $aUNINA LEADER 02828nam 2200613Ia 450 001 9910777456003321 005 20230209231644.0 010 $a0-7914-8631-1 010 $a1-4175-3877-5 035 $a(CKB)1000000000448711 035 $a(EBL)3408415 035 $a(SSID)ssj0000139924 035 $a(PQKBManifestationID)11154911 035 $a(PQKBTitleCode)TC0000139924 035 $a(PQKBWorkID)10029336 035 $a(PQKB)11597784 035 $a(MiAaPQ)EBC3408415 035 $a(Au-PeEL)EBL3408415 035 $a(CaPaEBR)ebr10594742 035 $a(OCoLC)56408577 035 $a(EXLCZ)991000000000448711 100 $a20030620d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDisgust $ethe theory and history of a strong sensation /$fWinfried Menninghaus ; translated by Howard Eiland and Joel Golb 210 1$aAlbany :$cState University of New York Press,$d2003. 210 4$aŠ2003 215 $a1 online resource (viii, 471 pages) $cillustrations 225 1 $aSUNY series, Intersections 300 $aDescription based upon print version of record. 311 0 $a0-7914-5831-8 320 $aIncludes bibliographical references (p. 453-471). 330 $a"In Disgust, Winfried Menninghaus provides a comprehensive account of the significance of this forceful emotion in philosophy, aesthetics, literature, the arts, psychoanalysis, and theory of culture from the eighteenth century to the present. Topics addressed include the role of disgust as both a cognitive and moral organon in Kant and Nietzsche; the history of the imagination of the rotting corpse; the counter-cathexis of the disgusting in Romantic poetics and its modernist appeal ever since; the affinities of disgust and laughter and the analogies of vomiting and writing; the foundation of Freudian psychoanalysis in a theory of disgusting pleasures and practices: the association of disgusting "otherness" with truth and the trans-symbolic "real" in Bataille, Sartre, and Kristeva; Kafka's self-representation as an "Angel" of disgusting smells and acts, concealed in a writerly stance of uncompromising "purity"; and recent debates on "Abject Art.""--Jacket 410 0$aIntersections (Albany, N.Y.) 606 $aAversion 606 $aAversion in literature 606 $aAesthetics, Modern 606 $aEmotions in art 615 0$aAversion. 615 0$aAversion in literature. 615 0$aAesthetics, Modern. 615 0$aEmotions in art. 676 $a128/.37 700 $aMenninghaus$b Winfried$0245408 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777456003321 996 $aDisgust$93803415 997 $aUNINA