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010   $a9786613680853
010   $a0-7391-6974-2
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100   $a20111202d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aOmbra$b[electronic resource] $esupernatural music in the eighteenth century /$fClive McClelland
210   $aLanham, Md. $cLexington Books$dc2012
215   $a1 online resource (258 p.)
300   $aDescription based upon print version of record.
311   $a0-7391-8817-8 
311   $a0-7391-6973-4 
320   $aIncludes bibliographical references and index.
327   $aOmbra; Contents; Introduction; Abbreviations; Chapter 1 Ombra Music in Context; Chapter 2 Tonality (Opera); Chapter 3 Harmony and Line (Opera); Chapter 4 Tempo and Rhythm (Opera); Chapter 5 Texture, Dynamics and Instrumentation (Opera); Chapter 6 Case Studies in Opera; Chapter 7 Ombra in Sacred Music; Chapter 8 Ombra in Instrumental Music; Chapter 9 Ombra after Mozart; Appendix A; Appendix B; Bibliography; Index; About the Author
330   $aOmbra is the musical language employed when a composer wishes to inspire awe and terror in an audience. Clive McClelland's Ombra: Supernatural Music in the Eighteenth Century explores the large repertoire of such music, focusing on the eighteenth century and Mozart in particular. He discusses a wide range of examples drawn from theatrical and sacred music, eventually drawing parallels between these features and Edmund Burke's 'sublime of terror,' thus placing ombra music in an imp
606   $aOpera$y18th century
606   $aSupernatural in opera
608   $aElectronic books.
615  0$aOpera
615  0$aSupernatural in opera.
676   $a780.9033
700   $aMcClelland$b Clive$0866203
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910452827203321
996   $aOmbra$91933262
997   $aUNINA