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010   $a9786613716033
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035   $a(OCoLC)804663059
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100   $a20180706d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aContemporary black American cinema $erace, gender and sexuality at the movies /$fedited by Mia Mask
210  1$aNew York :$cRoutledge,$d2012.
215   $a1 online resource (285 p.)
300   $aIncludes index.
311   $a1-138-79509-7 
311   $a0-415-52322-2 
327   $aFront Cover; Contemporary Black American Cinema; Copyright Page; Contents; List of Figures; Acknowledgments; Introduction: Mia Mask; 1. Paul Robeson and the End of His "Movie" Career: Charles Musser; 2. The Burden of the Beautiful Beast Visualization and the Black Male Body: Keith M. Harris; 3. Reckless Eyeballing:Coonskin, Film Blackness and the Racial Grotesque: Michael B. Gillespie; 4. The Measure of Men: Legacies of Poitier's A Piece of the Action: Ian Gregory Strachan; 5. Bamboozled: In the Mirror of Abjection: Ed Guerrero
327   $a6. Between Documentary and the Avant-Garde: Exploring the Visual Poetics of Ruins in Christopher Harris's still/here: Terri Francis7. Who's behind that Fat Suit?: Momma, Madea, Rasputia and the Politics of Cross-Dressing: Mia Mask; 8. Disney's Improvisation: New Orleans' Second Line, Racial Masquerade and the Reproduction of Whiteness in The Princess and the Frog: Sarita McCoy Gregory; 9. Shadowboxing: Lee Daniel's Nonrepresentational Cinema: Alessandra Raengo; 10. "I'm a Militant Queen": Queering Blaxploitation Films: Angelique Harris
327   $a11. Street Girls with No Future?: Black Women Coming of Age in the City: Paula J. MassoodContributors; Index
330   $aContemporary Black American Cinema offers a fresh collection of essays on African American film, media, and visual culture in the era of global multiculturalism. Integrating theory, history, and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies, and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis. From Paul Robeson's and Sidney Poitier's star vehicles to Lee Daniels's directorial forays, these e
606   $aAfrican Americans in motion pictures
606   $aAfrican Americans in the motion picture industry
606   $aRace in motion pictures
606   $aSex role in motion pictures
606   $aSex in motion pictures
608   $aElectronic books.
615  0$aAfrican Americans in motion pictures.
615  0$aAfrican Americans in the motion picture industry.
615  0$aRace in motion pictures.
615  0$aSex role in motion pictures.
615  0$aSex in motion pictures.
676   $a791.43/652996073
701   $aMask$b Mia$f1969-$0979666
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910452796603321
996   $aContemporary black American cinema$92234188
997   $aUNINA