LEADER 03379nam 2200589 a 450 001 9910452780603321 005 20200520144314.0 010 $a0-8093-8758-1 010 $a1-299-05074-3 035 $a(CKB)2550000000996691 035 $a(EBL)1354553 035 $a(OCoLC)856870408 035 $a(SSID)ssj0000822428 035 $a(PQKBManifestationID)11437071 035 $a(PQKBTitleCode)TC0000822428 035 $a(PQKBWorkID)10759564 035 $a(PQKB)10334235 035 $a(MiAaPQ)EBC1354553 035 $a(OCoLC)828869957 035 $a(MdBmJHUP)muse25899 035 $a(Au-PeEL)EBL1354553 035 $a(CaPaEBR)ebr10654950 035 $a(CaONFJC)MIL436324 035 $a(EXLCZ)992550000000996691 100 $a20060811d2007 uy p 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRed clay suite$b[electronic resource] /$fHonore?e Fanonne Jeffers 210 $aCarbondale $cCrab Orchard Review $cSouthern Illinois University Press$dc2007 215 $a1 online resource (87 p.) 225 1 $aCrab Orchard series in poetry : open competition award 300 $aDescription based upon print version of record. 311 $a0-8093-2760-0 320 $aIncludes bibliographical references. 327 $aCover; Title Page; Copyright; Contents; Acknowledgments; Prologue; Red Clay Suite; 1. Migration Cantos; Word on Earth; Passing; Giving Thanks for Water; An Angel, Unaware; The Compass of Moss; Let Blood Go; Cotton Field Sestina; Eatonton (Two); Driving Interstate West through Georgia; 2. Dark Pastoral; Blues Aubade (or, Revision of the Lean, Post-Modernist Pastorale); Mister Buzzard and Brother Crow; Consider My Brother as the Rabbit; Dirty South Moon; Here, One of Your Four Women; One Morning Soon; Poem for Birds; Another Easter Poem 327 $aI've Been Up Late Reading the Book of Poems You Inscribed and Mailed to MeTheir Splendid; The Blues I Don't Want to Remember; What Is Written for Me; Lexicon; 3. Red Clay Reprise; The Little Boy Who Will Be My Father; Suddenly in Grace; The Subject of Gardening; Days Are Plain; Eatonton (One); Reunion Scripture; Why I Will Praise an Old Black Man; What Grief Is; Hawk Hoof Tea; Oklahoma Naming; Upon Learning That My Indian Student Is a Sundancer; Notes; Other Books in the Crab Orchard Series in Poetry 330 $aIn her third book of poems, Honore?e Fanonne Jeffers expresses her familiarity with the actual and imaginary spaces that the American South occupies in our cultural lexicon. Her two earlier books of poetry, The Gospel of Barbecue and Outlandish Blues, use the blues poetic to explore notions of history and trauma. Now, in Red Clay Suite, Jeffersapproaches the southern landscape as utopia and dystopia-a crossroads of race, gender, and blood. These poems signal the ending movement of her crossroads blues and complete the last four "bars" of a blues song, resting on the final, and essential, note 410 0$aCrab Orchard award series in poetry. 607 $aSouthern States$vPoetry 608 $aElectronic books. 676 $a811/.6 700 $aJeffers$b Honore?e Fanonne$f1967-$0995440 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452780603321 996 $aRed clay suite$92280627 997 $aUNINA