LEADER 03820nam 2200673 a 450 001 9910452760903321 005 20200520144314.0 010 $a0-87420-270-1 010 $a0-87420-269-8 035 $a(CKB)2550000001038916 035 $a(EBL)1204990 035 $a(OCoLC)830468777 035 $a(SSID)ssj0000835897 035 $a(PQKBManifestationID)11437745 035 $a(PQKBTitleCode)TC0000835897 035 $a(PQKBWorkID)10997603 035 $a(PQKB)11108389 035 $a(MiAaPQ)EBC1204990 035 $a(Au-PeEL)EBL1204990 035 $a(CaPaEBR)ebr10661881 035 $a(CaONFJC)MIL532957 035 $a(EXLCZ)992550000001038916 100 $a20130108d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPedestrian- & transit-oriented design$b[electronic resource] /$fReid Ewing and Keith Bartholomew ; with Dan Burden, Sara Zimmerman, Lauren Brown ; foreword by Janette Sadik-Khan 210 $aWashington, D.C. $cUrban Land Institute$d2013 215 $a1 online resource (407 p.) 300 $aDescription based upon print version of record. 311 $a0-87420-201-9 320 $aIncludes bibliographical references. 327 $aCover; Title Page; Copyright; About the Authors; Contents; Foreword; Preface; Acknowledgments; 1 Introduction; Demand for Walkable, Transit-Oriented Development; Even More So in the Future; The Market Begins to Respond; Resources and Appendixes; 2 Urban Design Qualities; Imageability; Enclosure; Human Scale; Transparency; Complexity; Coherence; Legibility; Linkage; Conclusion; 3 Checklist of Essential Features; Medium-to-High Densities; Fine-Grained Mix of Land Uses; Short- to Medium-Length Blocks; Transit Routes Every Half Mile or Closer; Two- to Four-Lane Streets (with Rare Exceptions) 327 $aContinuous Sidewalks Appropriately ScaledSafe Crossings; Appropriate Buffering From Traffic; Street-Oriented Buildings; Comfortable and Safe Places to Wait; 4 Checklist of Highly Desirable Features; Supportive Commercial Uses; Grid-like Street Networks; Traffic Calming; Closely Spaced Shade Trees; Little Dead Space; Nearby Parks and Other Public Spaces; Small-Scale Buildings (or Articulated Larger Ones); Pedestrian-Scale Lighting; Attractive Transit Facilities; 5 Checklist of Worthwhile Additions; Landmarks; Street Walls; Functional Street Furniture; Coherent, Small-Scale Signage 327 $aSpecial PavementPublic Art; Water Features; Outdoor Dining; Underground Utilities; 6 Conclusion; Summary; References 330 $a"Explaining how to design spaces for pedestrians while also accommodating transit needs, this book is an excellent reference for students, public sector planners and officials, and private sector designers and developers seeking to make places more pedestrian- and transit-friendly. Written by a noted expert on pedestrian design and planning, this handbook contains examples of zoning codes from different localities"--$cProvided by publisher. 517 3 $aPedestrian- and transit-oriented design 606 $aPedestrian traffic flow$xPlanning 606 $aUrban transportation$xPlanning 606 $aCity planning 608 $aElectronic books. 615 0$aPedestrian traffic flow$xPlanning. 615 0$aUrban transportation$xPlanning. 615 0$aCity planning. 676 $a711/.74 700 $aEwing$b Reid H$0865190 701 $aBartholomew$b Keith$0865191 701 $aBurden$b Dan$0865192 701 $aCloyton$b Henry John$0865193 701 $aBrown$b Lauren$0865194 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452760903321 996 $aPedestrian- & transit-oriented design$91931104 997 $aUNINA LEADER 04363nam 2200721Ia 450 001 9910971843703321 005 20200520144314.0 010 $a0-262-31386-3 010 $a1-299-45774-6 010 $a0-262-31385-5 035 $a(CKB)2550000001018773 035 $a(EBL)3339609 035 $a(SSID)ssj0000860517 035 $a(PQKBManifestationID)11507803 035 $a(PQKBTitleCode)TC0000860517 035 $a(PQKBWorkID)10895584 035 $a(PQKB)11255416 035 $a(MiAaPQ)EBC3339609 035 $a(CaBNVSL)mat06504633 035 $a(IDAMS)0b00006481d40248 035 $a(IEEE)6504633 035 $a(OCoLC)837366407$z(OCoLC)961599153$z(OCoLC)962703176$z(OCoLC)975595504$z(OCoLC)988435576$z(OCoLC)991927324$z(OCoLC)1037932799$z(OCoLC)1038636183$z(OCoLC)1045396779$z(OCoLC)1045471872$z(OCoLC)1048237692$z(OCoLC)1048746434$z(OCoLC)1055348309$z(OCoLC)1066565236$z(OCoLC)1081291300 035 $a(OCoLC-P)837366407 035 $a(MaCbMITP)9325 035 $a(Au-PeEL)EBL3339609 035 $a(CaPaEBR)ebr10686953 035 $a(CaONFJC)MIL477024 035 $a(OCoLC)837366407 035 $a(EXLCZ)992550000001018773 100 $a20120822d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMoving without a body $edigital philosophy and choreographic thought /$fStamatia Portanova 205 $a1st ed. 210 $aCambridge, Massachusetts $cMIT Press$dc2013 215 $a1 online resource (194 p.) 225 1 $aTechnologies of lived abstraction 300 $aDescription based upon print version of record. 311 08$a0-262-01892-6 320 $aIncludes bibliographical references and index. 327 $aContents; Series Foreword; Acknowledgments; Introduction: Thinking Choreography Digitally; I Imag(in)ing the Dance: Choreo-nexus; 0 To Perceive Is to Abstract; 1 Digital Abstractions: The Intuitive Logic of the Cut; II Remembering the Dance: Mov-objects; 10 Can Objects Be Preserved?; 11 Can Objects Change?; 100 Can Objects Be Processes?; III Thinking the Dance: Compu-sitions; 101 Numbered Dancers and Software Ballet; 110 When Memory Becomes Creation; A Germ of Conclusion: In Abstraction; Notes; Index 330 $aDigital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become. Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think -- rather than just perform or perceive -- movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems. 410 0$aTechnologies of lived abstraction. 606 $aMovement (Philosophy) 606 $aHuman body (Philosophy) 606 $aChoreography$xPhilosophy 606 $aComputer art$xPhilosophy 615 0$aMovement (Philosophy) 615 0$aHuman body (Philosophy) 615 0$aChoreography$xPhilosophy. 615 0$aComputer art$xPhilosophy. 676 $a701/.8 700 $aPortanova$b Stamatia$f1974-$0618491 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910971843703321 996 $aMoving without a body$91071893 997 $aUNINA