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135   $aur|n|---|||||
181   $ctxt
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200 10$aCinematic flashes$b[electronic resource] $ecinephilia and classical Hollywood /$fRashna Wadia Richards
210   $aBloomington $cIndiana University Press$d2013
215   $a1 online resource (278 p.)
300   $aDescription based upon print version of record.
311   $a0-253-00692-9 
311   $a0-253-00688-0 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: inventing cinephiliac historiography -- Sonic booms: 1929 and the sensational transition to sound -- Show stoppers: 1937 and the chance encounter with chiffons -- Signature crimes: 1946 and the strange case of the lost scene (as well as the stranger case of the missing auteur) -- Apocalyptic antennae: 1954 and the end of storytelling -- Conclusion: the cinephiliac return.
330   $aCinematic Flashes challenges popular notions of a uniform Hollywood style by disclosing uncanny networks of incongruities, coincidences, and contingencies at the margins of the cinematic frame. In an agile demonstration of ""cinephiliac"" historiography, Rashna Wadia Richards extracts intriguing film fragments from their seemingly ordinary narratives in order to explore what these unexpected moments reveal about the studio era. Inspired by Walter Benjamin's preference for studying cultural fragments rather than composing grand narratives, this unorthodox history of the films of the studio s
606   $aMotion pictures$zUnited States$xHistory$y20th century
607   $aHollywood (Los Angeles, Calif.)$xHistory$y20th century
608   $aElectronic books.
615  0$aMotion pictures$xHistory
676   $a791.430973
700   $aRichards$b Rashna Wadia$f1977-$01027337
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801  1$bMiAaPQ
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906   $aBOOK
912   $a9910452719103321
996   $aCinematic flashes$92442703
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