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200 14$aThe French road movie$b[electronic resource] $espace, mobility, identity /$fNeil Archer
210   $aNew York $cBerghahn Books$d2013
215   $a1 online resource (204 p.)
300   $aDescription based upon print version of record.
311   $a0-85745-770-5 
320   $aIncludes bibliographical references and index.
327   $aCover; Copyright; Contents; Acknowledgements; Note on Translations; Introduction: Locating the Road Movie; 1. Road to Autopia: Les Valseuses and Le Plein de super; 2. 'Capturing Freedom': Marginality and the Road Movie; 3. No Place Like Home: Camping it Up in Dro?le de Fe?lix; 4. Nowhere Men: Masculinity and the Road Movie; 5. From Fla?nerie to Gla?nerie: The Possibilities of a 'Feminine Road Movie'; 6. Travel and the Transnational Road Movie in the Twenty-First Century; 7. 'Welcome to France!' The Road Movie and French National Cinema; Filmography; Bibliography; Index
330   $aThe traditionally American genre of the road movie has been explored and reconfigured in the French context since the later 1960s. Comparative in its approach, this book studies the inter-relationship between American and French culture and cinemas, and in the process considers and challenges histories of the road movie. It combines film history with film theory methodologies, analyzing transformations in social, political and film-industrial contexts alongside changing perspectives on the meaning and possibilities of film. At once chronological and thematic in structure, The French Road Mo
606   $aRoad films$zFrance$xHistory and criticism
606   $aMotion pictures$zFrance$xHistory and criticism
608   $aElectronic books.
615  0$aRoad films$xHistory and criticism.
615  0$aMotion pictures$xHistory and criticism.
676   $a791.43/655
676   $a791.4362
700   $aArcher$b Neil$f1971-$0934659
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801  1$bMiAaPQ
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906   $aBOOK
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996   $aThe French road movie$92491986
997   $aUNINA