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100   $a20130812d2012      uy             0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aSensibility and the sublime$b[electronic resource] /$fDavid Weissman
210   $aFrankfurt ;$aNew Brunswick $cOntos Verlag$d2012
215   $a1 online resource (129 p.)
300   $aDescription based upon print version of record.
311   $a3-11-032009-6 
311   $a1-299-72497-3 
320   $aIncludes bibliographical references and index.
327   $t Frontmatter -- $tAcknowledgments -- $tTable of Contents -- $tIntroduction -- $tChapter One. Sensibility -- $tChapter Two. Applications -- $tChapter Three. Irresolution -- $tChapter Four. Interiority and Selfhood -- $tIndex -- $t Backmatter
330   $aPhilosophic attention shifted after Hegel from Kant's emphasis on sensibility to criticism and analyses of the fine arts. The arts themselves seemed as ample as nature; a disciplined science could devote as much energy to one as the other. But then the arts began to splinter because of new technologies: photography displaced figurative painting; hearing recorded music reduced the interest in learning to play it. The firm interiority that Hegel assumed was undermined by the speed, mechanization, and distractions of modern life. We inherit two problems: restore quality and conviction in the arts; cultivate the interiority-the sensibility-that is a condition for judgment in every domain. What is sensibility's role in experiences of every sort, but especially those provoked when art is made and enjoyed? 
606   $aSublime, The
606   $aSensitivity (Personality trait)
608   $aElectronic books.
615  0$aSublime, The.
615  0$aSensitivity (Personality trait)
700   $aWeissman$b David$01027696
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910452697803321
996   $aSensibility and the sublime$92446110
997   $aUNINA