LEADER 03401nam 2200577 450 001 9910452657303321 005 20200520144314.0 010 $a1-4438-5215-5 035 $a(CKB)2550000001128027 035 $a(StDuBDS)AH25702728 035 $a(SSID)ssj0001162842 035 $a(PQKBManifestationID)11632469 035 $a(PQKBTitleCode)TC0001162842 035 $a(PQKBWorkID)11140372 035 $a(PQKB)11202949 035 $a(MiAaPQ)EBC1477500 035 $a(Au-PeEL)EBL1477500 035 $a(CaPaEBR)ebr10778090 035 $a(CaONFJC)MIL528661 035 $a(OCoLC)860825737 035 $a(EXLCZ)992550000001128027 100 $a20131107d2013 uy| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aLocal and global understandings of creativities $emultipart music making and the construction of ideas, contexts and contents /$fedited by Ardian Ahmedaja 205 $a1. 210 1$aNewcastle upon Tyne, UK :$cCambridge Scholars Publishing,$d2013. 215 $a1 online resource (380 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4438-4741-0 311 $a1-299-97410-4 320 $aIncludes bibliographical references and index. 327 $apart I. Multipart drinking (and singing) : a case study in Southern Albania / Bernard Lortat-Jacob -- part II. Multipart music practices as creative processes -- part III. Multipart music and religious practices -- part Ivolume Local multipart music awarded. 330 8 $aIn music making in company A, the protagonists have to follow the rules of interaction and create the cohesion of being together A. At the same time, they try to promote personal goals which depend on specific personal treasure troves of experience, which are continuously being modified also as a result of the ex-change between individuals. The perspective of the individuals in company A leads the emphasis of the investigations to the ways in which the acts of performance, interpretation and local discourse give shape to creative processes in multi-part music making and to the definition of the individual, collective and collaborative dimensions in this context. - - Focusing on the creators A rather than on the produced object A, the researchers included in this volume explore the diversity of the roles, powers, symbolism, meanings and values given to the polyphony of voices A in secular and religious traditions based on extensive fieldwork experience. The contributors to this volume also consider the UNESCOas Intangible Cultural Heritage List in this context, as well as the role of local, national and international awards. By understanding culture as a drug A, whose absorption is realised within interacting cells, culture appears as a cellular network and music as quite an efficient device for its functioning. - - - 606 $aMusic$xInstruction and study 606 $aCreation (Literary, artistic, etc.) 608 $aElectronic books. 615 0$aMusic$xInstruction and study. 615 0$aCreation (Literary, artistic, etc.) 676 $a386 701 $aAhmedaja$b Ardian$0801971 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452657303321 996 $aLocal and global understandings of creativities$92220046 997 $aUNINA