LEADER 01070cam0-22004091i-450- 001 990007317480403321 005 20060321141836.0 010 $a88-06-05533-X 035 $a000731748 035 $aFED01000731748 035 $a(Aleph)000731748FED01 035 $a000731748 100 $a20021021d1983----km-y0itay50------ba 101 0 $aita 102 $aIT 200 1 $aInformatica e qualità del lavoro$fLuciano Gallino 210 $aTorino$cEinaudi$d1983 215 $a152 p.$d18 cm 225 1 $aNuovo politecnico$v131 676 $a18100 676 $a18310 676 $a001.53$v20$zita 676 $a306 700 1$aGallino,$bLuciano$f<1927- >$033207 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007317480403321 952 $aXV N 62$fDTE 952 $a18100 GAL$b12419/I$fSES 952 $aXV D 394 (131)$b19701*$fFGBC 952 $aCOLLEZ. 149 (131)$b21485$fFSPBC 959 $aDTE 959 $aSES 959 $aFGBC 959 $aFSPBC 996 $aInformatica e qualità del lavoro$9695604 997 $aUNINA LEADER 03298nam 2200625 450 001 9910452627403321 005 20200520144314.0 010 $a0-520-95717-2 024 7 $a10.1525/9780520957176 035 $a(CKB)2550000001128077 035 $a(SSID)ssj0001040450 035 $a(PQKBManifestationID)11595352 035 $a(PQKBTitleCode)TC0001040450 035 $a(PQKBWorkID)11001239 035 $a(PQKB)10867401 035 $a(MiAaPQ)EBC1445932 035 $a(DE-B1597)520865 035 $a(OCoLC)1055316215 035 $a(DE-B1597)9780520957176 035 $a(Au-PeEL)EBL1445932 035 $a(CaPaEBR)ebr10779325 035 $a(CaONFJC)MIL528711 035 $a(OCoLC)861558915 035 $a(EXLCZ)992550000001128077 100 $a20130705d2013 ub 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEdgar G. Ulmer $ea filmmaker at the margins /$fNoah Isenberg 210 1$aBerkeley :$cUniversity of California Press,$d2013. 215 $a1 online resource (384 pages) 225 1 $aWeimar and now: German cultural criticism 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-520-23577-0 311 $a1-299-97460-0 320 $aIncludes bibliographical references and index. 327 $aPreface -- Traces of a Viennese youth -- Toward a cinema at the margins -- Hollywood horror -- Songs of exile -- Capra of PRC -- Back in black -- Independence days -- Postscript. 330 $aEdgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German émigré directors-Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak. Despite early work with Max Reinhardt and F. W. Murnau, his auspicious debut with Siodmak on their celebrated Weimar classic People on Sunday, and the success of films like Detour and Ruthless, Ulmer spent most of his career as an itinerant filmmaker earning modest paychecks for films that have either been overlooked or forgotten. In this fascinating and well-researched account of a career spent on the margins of Hollywood, Noah Isenberg provides the little-known details of Ulmer's personal life and a thorough analysis of his wide-ranging, eclectic films-features aimed at minority audiences, horror and sci-fi flicks, genre pictures made in the U.S. and abroad. Isenberg shows that Ulmer's unconventional path was in many ways more typical than that of his more famous colleagues. As he follows the twists and turns of Ulmer's fortunes, Isenberg also conveys a new understanding of low-budget filmmaking in the studio era and beyond.   410 0$aWeimar and now. 606 $aMotion picture producers and directors$zUnited States$vBiography 608 $aElectronic books. 615 0$aMotion picture producers and directors 676 $a791.43/0233092 676 $aB 686 $aAP 51400$2rvk 700 $aIsenberg$b Noah William$01031472 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452627403321 996 $aEdgar G. Ulmer$92448877 997 $aUNINA