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100   $a20180706d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFairy tale /$fAndrew Teverson
210  1$aNew York, N.Y. :$cRoutledge,$d2013.
215   $a1 online resource (291 p.)
225 1 $aThe new critical idiom
300   $aDescription based upon print version of record.
311   $a0-415-61605-0 
311   $a1-299-68550-1 
320   $aIncludes bibliographical references and index.
327   $aIntroduction -- Definitions -- The emergence of a literary genre, Italy and France -- The consolidation of a genre Grimm and Andersen -- Critical and conceptual approaches -- Psychoanalysis, history and ideology -- Conclusion.
330   $aThis volume offers a comprehensive critical and theoretical introduction to the genre of the fairy tale. It: explores the ways in which folklorists have defined the genreassesses the various methodologies used in the analysis and interpretation of fairy taleprovides a detailed account of the historical development of the fairy tale as a literary formengages with the major ideological controversies that have shaped critical and creative approaches to fairy tales in the twentieth and twenty-first centuriesdemonstrates that the fairy tale is a highly metamorphic genre that has flourished in diver
410  0$aNew critical idiom.
606   $aFairy tales$xHistory and criticism
608   $aElectronic books.
615  0$aFairy tales$xHistory and criticism.
676   $a398.2
700   $aTeverson$b Andrew.$0940822
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910452595103321
996   $aFairy tale$92195787
997   $aUNINA