LEADER 04454nam 22008893u 450 001 9910452585703321 005 20210114093813.0 010 $a0-8047-8461-2 035 $a(CKB)2550000000104184 035 $a(EBL)943678 035 $a(OCoLC)796384795 035 $a(SSID)ssj0000695385 035 $a(PQKBManifestationID)12279418 035 $a(PQKBTitleCode)TC0000695385 035 $a(PQKBWorkID)10671738 035 $a(PQKB)10824660 035 $a(MiAaPQ)EBC943678 035 $a(EXLCZ)992550000000104184 100 $a20131216d2012|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEnds of Enlightenment$b[electronic resource] 210 $aPalo Alto $cStanford University Press$d2012 215 $a1 online resource (311 p.) 300 $aDescription based upon print version of record. 311 $a0-8047-4211-1 327 $aContents; Illustrations; Acknowledgments; I. Introduction; Ends of Enlightenment; II. Enlightenment Knowledge; 1. Novel Knowledge: Judgment, Experience, Experiment; 2. Enlightenment Fiction and the Scientific Hypothesis; 3. Matters of Fact: Virtual Witnessing and the Public in Hogarth's Narratives; 4. Hume's Learned and Conversible Worlds (with Robin Valenza); III. Enlightenment Novels; 5. The Novel as Modern Myth: Robinson Crusoe, Frankenstein, Dracula; 6. Tom Jones and the Public; 7. Prison Reform and the Sentence of Narration in The Vicar of Wakefield 327 $a8. Impersonal Violence: The Penetrating Gaze and the Field of Narration in Caleb WilliamsA Postscript on My Gross Anatomy Lab; 9. Rational Choice in Love: Les Liaisons dangereuses; IV. Enlightenment Frameworks; 10. Rhetoricality: On the Modernist Return of Rhetoric (with David E. Wellbery); Notes; Index 330 $aEnds of Enlightenment explores three realms of eighteenth-century European innovation that remain active in the twenty-first century: the realist novel, philosophical thought, and the physical sciences, especially human anatomy. The European Enlightenment was a state of being, a personal stance, and an orientation to the world. Ways of probing experience and knowledge in the novel and in the visual arts were interleaved with methods of experimentation in science and philosophy. This book's fresh perspective considers the novel as an art but also as a force in thinking. The critica 606 $aEnlightenment - Influence 606 $aEnlightenment -- Influence 606 $aEuropean fiction - 18th century - History and criticism 606 $aEuropean fiction -- 18th century -- History and criticism 606 $aLiterature - Philosophy 606 $aLiterature -- Philosophy 606 $aLiterature and science - Europe - History - 18th century 606 $aLiterature and science -- Europe -- History -- 18th century 606 $aRealism in literature 606 $aRealism in literature 606 $aEuropean fiction$xHistory and criticism$y18th century$zEurope 606 $aLiterature and science$xHistory$y18th century 606 $aRealism in literature$xPhilosophy 606 $aLiterature$xInfluence 606 $aEnlightenment 606 $aLanguages & Literatures$2HILCC 606 $aLiterature - General$2HILCC 608 $aElectronic books. 615 4$aEnlightenment - Influence. 615 4$aEnlightenment -- Influence. 615 4$aEuropean fiction - 18th century - History and criticism. 615 4$aEuropean fiction -- 18th century -- History and criticism. 615 4$aLiterature - Philosophy. 615 4$aLiterature -- Philosophy. 615 4$aLiterature and science - Europe - History - 18th century. 615 4$aLiterature and science -- Europe -- History -- 18th century. 615 4$aRealism in literature. 615 4$aRealism in literature. 615 0$aEuropean fiction$xHistory and criticism 615 0$aLiterature and science$xHistory 615 0$aRealism in literature$xPhilosophy 615 0$aLiterature$xInfluence 615 0$aEnlightenment 615 7$aLanguages & Literatures 615 7$aLiterature - General 676 $a809.3/033 676 $a809.3033 700 $aBender$b John$0165503 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910452585703321 996 $aEnds of Enlightenment$92220033 997 $aUNINA