LEADER 03943nam 22006972 450 001 9910452470003321 005 20220204225115.0 010 $a1-139-88919-2 010 $a1-107-24145-6 010 $a1-107-25101-X 010 $a1-107-55944-8 010 $a1-107-25018-8 010 $a1-107-24852-3 010 $a1-107-24769-1 010 $a1-139-17619-6 010 $a1-107-24935-X 035 $a(CKB)2550000001115123 035 $a(EBL)1357346 035 $a(OCoLC)847520391 035 $a(SSID)ssj0000890265 035 $a(PQKBManifestationID)11478781 035 $a(PQKBTitleCode)TC0000890265 035 $a(PQKBWorkID)10884110 035 $a(PQKB)10515359 035 $a(UkCbUP)CR9781139176194 035 $a(MiAaPQ)EBC1357346 035 $a(Au-PeEL)EBL1357346 035 $a(CaPaEBR)ebr10753039 035 $a(CaONFJC)MIL515425 035 $a(EXLCZ)992550000001115123 100 $a20111019d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aScreening early modern drama $ebeyond Shakespeare /$fPascale Aebischer$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2013. 215 $a1 online resource (xi, 274 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-02493-5 311 $a1-299-84174-0 320 $aIncludes bibliographical references and index. 327 $aIntroduction: beyond Shakespeare: the contemporary Jacobean film -- Derek Jarman's queer contemporary Jacobean aesthetic: Caravaggio and Edward II -- The preposterous contemporary Jacobean film: Peter Greenaway's Cook, heritage Shakespeare and sexual exploitation in Mike Figgis's Hotel -- Third cinema, urban regeneration and heritage Shakespeare in Alex Cox's Revengers tragedy -- Early modern performance and digital media: remediation and the evolving archival canon -- Bend it like Nagra: mainstreaming the changeling in Sarah Harding's Compulsion -- Conclusion: early modern dramatists on twenty-first century screens. 330 $aWhile film adaptations of Shakespeare's plays captured the popular imagination at the turn of the last century, independent filmmakers began to adapt the plays of Shakespeare's contemporaries. The roots of their films in European avant-garde cinema and the plays' politically subversive, sexually transgressive and violent subject matter challenge Shakespeare's cultural dominance and the conventions of mainstream cinema. In Screening Early Modern Drama, Pascale Aebischer shows how director Derek Jarman constructed an alternative, dissident, approach to filming literary heritage in his 'queer' Caravaggio and Edward II, providing models for subsequent filmmakers such as Mike Figgis, Peter Greenaway, Alex Cox and Sarah Harding. Aebischer explains how the advent of digital video has led to an explosion in low-budget screen versions of early modern drama. The only comprehensive analysis of early modern drama on screen to date, this groundbreaking study also includes an extensive annotated filmography listing forty-eight surviving adaptations. 606 $aFilm adaptations$xHistory and criticism 606 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xFilm adaptations 606 $aMotion pictures and literature 606 $aMotion pictures$zGreat Britain$xHistory$y20th century 615 0$aFilm adaptations$xHistory and criticism. 615 0$aEnglish drama$xFilm adaptations. 615 0$aMotion pictures and literature. 615 0$aMotion pictures$xHistory 676 $a791.43/657 700 $aAebischer$b Pascale$f1970-$0619576 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910452470003321 996 $aScreening early modern drama$91080176 997 $aUNINA