LEADER 03542oam 2200697I 450 001 9910452449103321 005 20200520144314.0 010 $a1-138-95292-3 010 $a0-203-79628-4 010 $a1-135-13967-9 024 7 $a10.4324/9780203769283 035 $a(CKB)2550000001128672 035 $a(EBL)1461198 035 $a(OCoLC)860626039 035 $a(SSID)ssj0001001841 035 $a(PQKBManifestationID)12393591 035 $a(PQKBTitleCode)TC0001001841 035 $a(PQKBWorkID)10986484 035 $a(PQKB)10132934 035 $a(OCoLC)868963327 035 $a(MiAaPQ)EBC1461198 035 $a(Au-PeEL)EBL1461198 035 $a(CaPaEBR)ebr10778994 035 $a(CaONFJC)MIL529306 035 $a(EXLCZ)992550000001128672 100 $a20180706d2014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFor creative geographies $egeography, visual arts and the making of worlds /$fHarriet Hawkins 210 1$aNew York ;$aLondon :$cRoutledge,$d2014. 215 $a1 online resource (323 p.) 225 0 $aRoutledge advances in geography ;$v9 300 $aDescription based upon print version of record. 311 $a0-415-63625-6 311 $a1-299-98055-4 320 $aIncludes bibliographical references and index. 327 $aCover; Title; Copyright; Dedication; Contents; List of Figures; Acknowledgments; Introduction: For Creative Geographies; PART I Art and the Making/Transforming of Geography; 1 Placing Art at the Royal Geographical Society: Creative Compass, Exhibition Imaginaries, and Cartographic Critiques; 2 Connecting with Gertrude: Woven Threads and Written Traces-Crafting Disciplinary Histories; PART II A Geographical Turn? Placing Production, Producing Sites; 3 Producing Sites: Michael Landy's Break Down; 4 Framing the World: Portraits of Place and Richard Wentworth's Urban Imaginary 327 $a5 insites: On Residency and CollaborationPART III Remapping Bodies: Substances, Senses, Spaces, and Encounters; 6 The Argument of the Eye: Installation Art and the "Experience of Experience"; 7 Points of Contact: The Geographies of Ana Mendieta's Earth-Body Works; By Way of Conclusion: Towards an Analytic Framework; Notes; Bibliography; Index 330 $aThis book provides the first sustained critical exploration, and celebration, of the relationship between Geography and the contemporary Visual Arts. With the growth of research in the Geohumanities and the Spatial Humanities, there is an imperative to extend and deepen considerations of the form and import of geography-art relations. Such reflections are increasingly important as geography-art intersections come to encompass not only relationships built through interpretation, but also those built through shared practices, wherein geographers work as and with artists, curators and other creat 410 0$aRoutledge Advances in Geography 606 $aArt and geography 606 $aGeographical perception 606 $aArt and design 606 $aVisual perception 608 $aElectronic books. 615 0$aArt and geography. 615 0$aGeographical perception. 615 0$aArt and design. 615 0$aVisual perception. 676 $a701/.04 700 $aHawkins$b Harriet$f1980-,$0946385 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452449103321 996 $aFor creative geographies$92138207 997 $aUNINA