LEADER 04468oam 2200661I 450 001 9910452440403321 005 20200520144314.0 010 $a0-87830-171-2 010 $a1-315-05995-9 010 $a1-135-87066-7 024 7 $a10.4324/9781315059952 035 $a(CKB)2550000001128525 035 $a(EBL)1461040 035 $a(OCoLC)870591002 035 $a(SSID)ssj0001003608 035 $a(PQKBManifestationID)12412335 035 $a(PQKBTitleCode)TC0001003608 035 $a(PQKBWorkID)11046121 035 $a(PQKB)11211591 035 $a(MiAaPQ)EBC1461040 035 $a(Au-PeEL)EBL1461040 035 $a(CaPaEBR)ebr10781169 035 $a(CaONFJC)MIL529159 035 $a(OCoLC)860711699 035 $a(EXLCZ)992550000001128525 100 $a20180706d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGorilla theatre $ea practical guide to performing the new outdoor theatre anytime, anywhere /$fChristopher Carter Sanderson 210 1$aNew York :$cRoutledge,$d2003. 215 $a1 online resource (209 p.) 300 $a"A Theatre Arts book." 311 $a0-87830-170-4 311 $a1-299-97908-4 320 $aIncludes bibliographical references (pages 181-182) and index. 327 $aCover ; Half-title; Title Page; Copyright Page; Dedication ; Table of Contents; Foreword ; Acknowledgments; Introduction: About Gorilla Repertory Theatre Company, Inc; 1. Concept and Location; Inspiration; Read Plays, Shakespeare First; List Plays; Tour Sites; List Sites with Pros and Cons; 2. Scouting; Organizations That Can Help; Rights of Free Speech and Assembly; Working Conditions for the Actors and Personnel; Mapping the Site; 3. Establishing Corporate Culture; Observations; Responding to Conflicts; Running Effective Meetings; 4. Casting; Ideas and Ideals 327 $aRespect for Actors and Demands of the FormEnthusiasm for the Form; Character Basics and Physical Motion; Working in Further Detail; Techniques and Scheduling; Callback Practices and Forms; 5. Rehearsal Techniques; Introduction: Use What You Know; How Do You See?; Respect for the Audience; Respect for the Text; The Character Meeting: Establishing Individual Communication; Scheduling Rehearsal; The Three-Phase Technique: Improvisation, Work-Through, and Staging; Run-Throughs; Adapting Indoor Techniques to Outdoor Uses; A Note; 6. The Paratheatric Rehearsal Technique; Brief Description 327 $aEarly ExperimentsScouting and Booking; Logistic; Schedule; Blazing and Establishing Safe Practices; Improvisation Suggestions for Day One and Day Two; The Bonfire: Metaphor and Practice; Night Exercises; The Paratheatric Run; Examples of Staging Brought Back; Integrating Paratheatric Discoveries; Variations and How to Invent New Paratheatric Rehearsal Procedures; 7. On-Site Directing and Operational Practices; Practicing Nonconfrontational Conflict Resolution; Cut Procedure; The Role of the Director in Performance; 8. Organizational Approaches; Mission Statement and Incorporation 327 $aWorking with VolunteersInterns; Publicity: Homemade and Professional; Sponsorship; Permits, Contracts, and Letters of Agreement; Working with Designers; Working with an Assistant; Working with Crews; Trucks and Trucking; Notes for the Producer; 9. Documentation Practices; Documentarian; Photo Strategies; Video Strategies; Archiving: Print, Video, and Mailing Lists; 10. Design Issues and Aesthetic Practice; Lighting; Props; Sets; Stage Fighting; 11. Indoor Environmental or Action Theatre; Design Issues; Audience Changes and Pressures; Examples; 12. Moving a Show; Feel of the Show 327 $aMoving A Midsummer Night's Dream: "Get Puck!" and Other Stories13. Notes and Observations; Dialogue with Criticism; Relationship to Academia; Sibling Institutions; 14. Spirituality; Bibliography; Index 330 $aFirst Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company. 606 $aActing 606 $aTheater$xProduction and direction 608 $aElectronic books. 615 0$aActing. 615 0$aTheater$xProduction and direction. 676 $a792/.028 700 $aSanderson$b Christopher Carter$f1965-,$0851264 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452440403321 996 $aGorilla theatre$91900645 997 $aUNINA