LEADER 02863nam0-22008531i-450- 001 990003690940403321 005 20130415110717.0 010 $a88-420-5772-X$bvol. 1 010 $a88-420-5773-8$bvol. 2 010 $a88-420-5697-9$bvol. 1 010 $a88-420-6806-3$bvol. 3.1 010 $a88-420-7224-9$bvol. 3.2 035 $a000369094 035 $aFED01000369094 035 $a(Aleph)000369094FED01 035 $a000369094 100 $a20030910g19992003km-y0itay50------ba 101 0 $aita 102 $aIT 105 $af-------001yy 200 1 $aStoria economica d'Italia$fa cura di Pierluigi Ciocca e Gianni Toniolo 210 $aMilano$cCariplo$aRoma ; Bari$cLaterza$d1999-2003 215 $a3 v.$d21 cm 327 1 $a1.: Interpretazioni / Piero Bevilacqua ... [et al.]$a2.: Annali / Stefano Battilossi$a3.1: Industrie, mercati, istituzioni . Le strutture dell'economia / F. Amatori ... [et al.]$a3.2: Industrie, mercati, istituzioni . I vincoli e le opportunitą / R. Artoni ... 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Information is summarized in a simple, reader-friendly format, while still providing the detail you need for an advanced level of study. The easy-reference structure is designed to help you identify and access topics of interest quickly. Over 180 photographs and line drawings illustrate the scientific principles, equipment and the techniques you need to know. A self-test section at the end of every chapter helps you to learn and revise each topic. 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Demonic negativity -- pt. 2. Turnabout and dialectic -- pt. 3. Possession. 330 $aAre we either good or bad, and do we really know the difference? Why do we want what we cannot have, and even to be what we?re not? Can we desire others without wanting to possess them? Can we open to others and not risk possession ourselves? And where, in these cases, do we draw the line?Ewan Fernie argues that the demonic tradition in literature offers a key to our most agonised and intimate experiences. The Demonic ranges across the breadth of Western culture, engaging with writers as central and various as Luther, Shakespeare, Hegel, Dostoevsky, Melville and Mann.A powerful foreword by Jonathan Dollimore brings out its implications as an intellectual and stylistic breakthrough into new ways of writing criticism. Fernie unfolds an intense and personal vision, not just of Western modernity, but of identity, morality and sex. 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