LEADER 02378nam 2200565 a 450 001 9910452424203321 005 20200520144314.0 010 $a0-7391-2586-9 010 $a1-299-15693-2 035 $a(CKB)2550000001001313 035 $a(EBL)1117139 035 $a(OCoLC)845250044 035 $a(SSID)ssj0000821685 035 $a(PQKBManifestationID)12359437 035 $a(PQKBTitleCode)TC0000821685 035 $a(PQKBWorkID)10879528 035 $a(PQKB)11779650 035 $a(MiAaPQ)EBC1117139 035 $a(Au-PeEL)EBL1117139 035 $a(CaPaEBR)ebr10660053 035 $a(CaONFJC)MIL446943 035 $a(EXLCZ)992550000001001313 100 $a20121012d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe cinema of Michael Winterbottom$b[electronic resource] /$fDeborah Allison 210 $aLanham $cLexington Books$d2013 215 $a1 online resource (238 p.) 225 0$aGenre film auteurs 300 $aDescription based upon print version of record. 311 $a0-7391-2583-4 311 $a0-7391-2584-2 320 $aIncludes bibliographical references and index. 320 $aIncludes filmography. 327 $aIntroduction -- Butterfly kiss: the road movie -- Jude: the heritage film -- Welcome to Sarajevo: war cinema -- Wonderland: social realist drama -- The claim: the western -- Code 46: science fiction -- The road to Guantanamo: docudrama -- The killer inside me: neo-noir -- Conclusion. 330 $aThe Cinema of Michael Winterbottom, by Deborah Allison, examines eight films by the contemporary British director Michael Winterbottom. This study explores the ways his inflection of established genre traditions partake in a personal, idiosyncratic style of film-making. Across a career encompassing both mainstream and art house cinema, the potency and integrity of his authorship unites films as generically diverse as the road film Butterfly Kiss, western drama