LEADER 03543nam 2200637Ia 450 001 9910452382703321 005 20200520144314.0 010 $a1-280-79266-3 010 $a0-520-95399-1 010 $a9786613703057 024 7 $a10.1525/9780520953994 035 $a(CKB)2550000000104639 035 $a(EBL)950484 035 $a(OCoLC)797916343 035 $a(SSID)ssj0000677573 035 $a(PQKBManifestationID)11365487 035 $a(PQKBTitleCode)TC0000677573 035 $a(PQKBWorkID)10693875 035 $a(PQKB)11581698 035 $a(MiAaPQ)EBC950484 035 $a(DE-B1597)519215 035 $a(DE-B1597)9780520953994 035 $a(Au-PeEL)EBL950484 035 $a(CaPaEBR)ebr10576445 035 $a(CaONFJC)MIL370305 035 $a(EXLCZ)992550000000104639 100 $a20111114d2012 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFirst cut 2$b[electronic resource] $emore conversations with film editors /$fGabriella Oldham 210 $aBerkeley $cUniversity of California Press$d2012 215 $a1 online resource (310 p.) 300 $aDescription based upon print version of record. 311 $a0-520-27350-8 311 $a0-520-27351-6 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tAcknowledgments --$tIntroduction --$t1. Keeping Beats --$t2. Pushing the Envelope --$t3. Cutting from the Gut --$t4. Sensing Psychology --$t5. Capturing the Feeling --$t6. Speaking Cinema --$t7. Editing the Self --$t8. Pointing to the Middle --$t9. Honoring Lives --$t10. Weighing the Gold --$t11. Making It Work --$t12. Striking the Balance --$tBibliography --$tIndex 330 $aFirst Cut 2: More Conversations with Film Editors presents a new collection of twelve interviews with award-winning film editors who discuss the art and craft of editing in the twenty-first century. As a follow-up to the successful First Cut: Conversations with Film Editors (now celebrating its 20th anniversary), this new volume explores the transition of editing from the age of celluloid to the digital age. These extraordinarily articulate editors share their passion about film, offer detailed practical examples from their films to explain their process as well as their challenges, and imbue each interview with unique personality, humor, and cinematic insights. First Cut 2 continues the tradition of the first volume by interviewing both fiction and documentary editors, contributing to a rich, holistic appreciation of editing. It also introduces a significant interview with an independent filmmaker/editor to emphasize today's multiple opportunities for aspiring filmmakers to make their own "small films" and achieve success. Together with the first volume, First Cut 2 offers a panoramic survey of film editing and preserves its history through the voices of its practitioners. The stories told will engage students, inform general filmgoers, and even enlighten industry professionals. 517 3 $aFirst cut two 606 $aMotion pictures$xEditing 606 $aMotion picture editors$vInterviews 608 $aElectronic books. 615 0$aMotion pictures$xEditing. 615 0$aMotion picture editors 676 $a777/.55 700 $aOldham$b Gabriella$0914536 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452382703321 996 $aFirst cut 2$92478106 997 $aUNINA