LEADER 01110cam0-22003971i-450- 001 990006147210403321 005 20051212123917.0 010 $a88-14-04363-9 035 $a000614721 035 $aFED01000614721 035 $a(Aleph)000614721FED01 035 $a000614721 100 $a20000112d1993----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $aTeorie del valore$ela teoria del costo di produzione e la teoria della domanda e dell'offerta$eda Smith a Ricardo e Marx$fManlio Sechi 210 $aMilano$cGiuffrè$d1993 215 $aXVI, 489 p.$d24 cm 610 0 $aValore$aTeorie economiche 610 0 $aEconomia$aTeorie 676 $a338.51 700 1$aSechi,$bManlio$0128582 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006147210403321 952 $aXV F1 75$b23064*$fFGBC 952 $aD/0 SEC$b14215$fSES 952 $aC 164$bs.i.$fDSS 952 $aXI B 439$b22249$fFSPBC 959 $aDSS 959 $aSES 959 $aFSPBC 959 $aFGBC 996 $aTeorie del valore$9645733 997 $aUNINA LEADER 03519nam 22006254a 450 001 9910452350403321 005 20200520144314.0 010 $a1-281-72236-7 010 $a9786611722364 010 $a0-300-13017-1 024 7 $a10.12987/9780300130171 035 $a(CKB)1000000000472141 035 $a(StDuBDS)BDZ0022171468 035 $a(SSID)ssj0000267875 035 $a(PQKBManifestationID)11239601 035 $a(PQKBTitleCode)TC0000267875 035 $a(PQKBWorkID)10213351 035 $a(PQKB)11635517 035 $a(StDuBDS)EDZ0000165601 035 $a(MiAaPQ)EBC3420407 035 $a(DE-B1597)485587 035 $a(OCoLC)1024038008 035 $a(DE-B1597)9780300130171 035 $a(Au-PeEL)EBL3420407 035 $a(CaPaEBR)ebr10217110 035 $a(CaONFJC)MIL172236 035 $a(OCoLC)923593572 035 $a(EXLCZ)991000000000472141 100 $a20011207d2002 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aVisible deeds of music$b[electronic resource] $eart and music from Wagner to Cage /$fSimon Shaw-Miller 210 $aNew Haven $cYale University Press$dc2002 215 $a1 online resource $cillustrations, music 311 $a0-300-08374-2 320 $aIncludes bibliographical references and index. 327 $aUt pictura musica : interdisciplinarity, art, and music -- "Deeds of music made visible" : Wagner, the Gesamtkunstwerk, and the birth of the modern -- Instruments of desire : musical morphology in Picasso's cubism -- Quasi una musica : Kupka and Klee, music, and the idea of abstraction -- "Out of tune" : Hauer's legacy and the aesthetics of minimalism in art and music -- A chorus of voices : seeing music in Cage and Fluxus, the birth of the postmodern. 330 $aThis thoughtful and provocative book explores the relationship between music and the visual arts in the late nineteenth and twentieth centuries, focusing on the modernist period. Reassessing the work of composers and artists such as Richard Wagner, Pablo Picasso, Paul Klee, Josef Matthias Hauer, and John Cage, Simon Shaw-Miller argues that despite modernism's advocacy of media purity and separation, the boundaries between art and music were permeable at this time, as they have been throughout history.Shaw-Miller begins by discussing the place of Wagner's music and ideas at the time of the birth of modernism, presenting Wagner's aesthetic of the Gesamtkunstwerk as an alternative paradigm for modernist art. He goes on to analyze Picasso's use of musical subjects in his cubist works and Klee's adoption of music and the issue of temporality in his paintings and drawings. He concludes with the radical aesthetic of Cage, the silencing of sound, and the promotion of intermediality in the work of Fluxus artists. Through these fascinating examples, Shaw-Miller raises questions about both art and music history that will be of interest to students of both disciplines. 606 $aArt and music$xHistory$y19th century 606 $aArt and music$xHistory$y20th century 608 $aElectronic books. 615 0$aArt and music$xHistory 615 0$aArt and music$xHistory 676 $a780/.07 700 $aShaw-Miller$b Simon$f1960-$0166031 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452350403321 996 $aVisible deeds of music$92454525 997 $aUNINA