LEADER 03218oam 2200625I 450 001 9910452278903321 005 20200520144314.0 010 $a0-415-61238-1 010 $a1-315-01867-5 010 $a1-136-56909-X 024 7 $a10.4324/9781315018676 035 $a(CKB)2550000001117488 035 $a(EBL)1395287 035 $a(OCoLC)870590398 035 $a(SSID)ssj0001164350 035 $a(PQKBManifestationID)11648361 035 $a(PQKBTitleCode)TC0001164350 035 $a(PQKBWorkID)11181441 035 $a(PQKB)11196112 035 $a(MiAaPQ)EBC1395287 035 $a(Au-PeEL)EBL1395287 035 $a(CaPaEBR)ebr10764154 035 $a(CaONFJC)MIL517926 035 $a(OCoLC)858861643 035 $a(EXLCZ)992550000001117488 100 $a20180706e20051963 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic in Shakespearean tragedy /$fF.W. Sternfeld 210 1$aLondon ;$aNew York :$cRoutledge,$d2005. 215 $a1 online resource (379 p.) 225 1 $aRoutledge library editions. Shakespeare. Tragedies ;$vVIII 300 $aFirst published in 1963 by Routledge and Kegan Paul. 311 $a0-415-35327-0 311 $a1-299-86675-1 320 $aIncludes bibliographical references and indexes. 327 $aCover ; Half-title; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Dedication ; Table of Contents; Music Examples and Facsimiles; Illustrations; Acknowledgements ; Abbreviations; Preface; I Tradition of Vocal and Instrumental Music in Tragedy; II The Willow Song; III Ophelia's Songs; IV Magic Songs; V Adult Songs and Robert Armin; VI Adult Songs from Hamlet to Othello; VII Blank Verse, Prose and Songs in King Lear; VIII Instrumental Music, Part One: Tamburlaine, Richard II, Troilus and Cressida; IX Instrumental Music Part Two: Stringed Versus Wind Instruments 327 $aX Retrospect of Scholarship on Shakespeare and MusicBibliography; Addenda; Index of Lyrics; Index of Person, Places, Plays, etc.; Index of Subjects 330 $aFirst published in 1963.

When originally published this book was the first to treat at full length the contribution which music makes to Shakespeare's great tragedies, among them Hamlet, Othello, and King Lear. Here the playwright's practices are studied in conjunction with those of his contemporaries: Marlowe and Jonson, Marston and Chapman. From these comparative assessments there emerges the method that is peculiar to Shakespeare: the employment of song and instrumental music to a degree hitherto unknown, and their use as an integral part of the dramatic structure. 410 0$aRoutledge library editions.$pShakespeare ;$v8. 606 $aMusic$y16th century$xHistory and criticism 608 $aElectronic books. 615 0$aMusic$xHistory and criticism. 676 $a822.33 700 $aSternfeld$b Frederick W$g(Frederick William),$f1914-1994.,$0191551 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452278903321 996 $aMusic in Shakespearean tragedy$92115816 997 $aUNINA