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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aComedy and the public sphere $ethe rebirth of theatre as comedy and the genealogy of the modern public arena /$fArpad Szakolczai
210  1$aNew York :$cRoutledge,$d2013.
215   $a1 online resource (377 p.)
225 1 $aRoutledge studies in social and political thought ;$v77
225  0$aRoutledge studies in social and political thought ;$v77
300   $aDescription based upon print version of record.
311   $a1-138-92066-5 
311   $a0-415-62391-X 
320   $aIncludes bibliographical references and indexes.
327   $aIntroduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium --  The Byzantine spirit and its sources.  Transmitting, receiving and nurturing the Byzantine spirit  -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification --  Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy  -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde.  The rebirth of Pierrot as suffering victim --  Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary  --  Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold --  Conclusion.
330   $aThe book aims at reframing the discussion on the ""public sphere,"" usually understood as the place where the public opinion is formed, through rational discussion. The aim of this book is to give an account of this rationality, and its serious shortcomings, examining the role of the media and the confusing of public roles and personal identity. It focuses in particular on the role of the theatrical and comical in the historical development of the public sphere, and in this manner reformulating definitions of common sense, personal identity, and culture. 
410  0$aRoutledge Studies in Social and Political Thought
606   $aTheater$zEurope$xHistory
606   $aTheater and society$zEurope$xHistory
606   $aComedy
608   $aElectronic books.
615  0$aTheater$xHistory.
615  0$aTheater and society$xHistory.
615  0$aComedy.
676   $a792.094
700   $aSzakolczai$b Arpad.$0123643
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910452261503321
996   $aComedy and the public sphere$92105423
997   $aUNINA