LEADER 03229oam 2200637I 450 001 9910452258003321 005 20200520144314.0 010 $a0-203-97955-9 010 $a1-134-63711-X 010 $a1-280-15121-8 024 7 $a10.4324/9780203979556 035 $a(CKB)1000000000456470 035 $a(EBL)235088 035 $a(OCoLC)466448945 035 $a(SSID)ssj0000114635 035 $a(PQKBManifestationID)11887329 035 $a(PQKBTitleCode)TC0000114635 035 $a(PQKBWorkID)10125393 035 $a(PQKB)10281104 035 $a(MiAaPQ)EBC235088 035 $a(Au-PeEL)EBL235088 035 $a(CaPaEBR)ebr10100573 035 $a(CaONFJC)MIL15121 035 $a(OCoLC)71348485 035 $a(OCoLC)71348485 035 $a(EXLCZ)991000000000456470 100 $a20180331d2000 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aBrecht sourcebook /$fedited by Carol Martin and Henry Bial 210 1$aLondon ;$aNew York :$cRoutledge :$cTaylor & Francis Group,$d2000. 215 $a1 online resource (259 p.) 225 1 $aWorlds of performance 300 $aDescription based upon print version of record. 311 $a0-415-20043-1 311 $a0-415-20042-3 320 $aIncludes bibliographical references and index. 327 $aPreliminaries; CONTENTS; Acknowledgements; Contributors; 1 On Chinese Acting; 2 Theatre for Learning; 3 An Epic Theatre Catechism; 4 Are Stanislavsky and Brecht Commensurable?; 5 Brecht's Concept of Gestus and the American Performance Tradion; 6 Beyond Bourgeois Theatre; 7 Gestus in Music; 8 Composing for BB; 9 Actors on Brecht: The Munich Years; 10 Bertolt Brecht's J.B.; 11 Baden Lehrstu?ck; 12 The Beggar or The Dead Dog; 13 The Dialectics of Galileo; 14 The Dispute Over the Valley; 15 Prologue to The Caucasian Chalk Circle; 16 Brecht and the English Theatre; 17 The Death of Mother Courage 327 $a18 Brecht and Chicano Theatre19 Brecht and Latin America's "Theatre of Revolution"; 20 Political Displacements; 21 The Actor's Involvement; 22 Brechtian Theory and American Feminist Theatre; 23 Brecht, Feminism, and Chinese Theatre; Index 330 $aBertolt Brecht is one of the most prolific and influential writer-directors of the twentieth century. This fascinating anthology brings together in one volume many of the most important articles written about Brecht between 1957 and 1997. The collection explores a wide range of viewpoints about Brecht's theatre theories and practice, as well as including three plays not otherwise available in English: The Beggar or The Dead Dog, Baden Lehrstuck and The Seven Deadly Sins of the Lower Middle Class. Editors Martin and Bial have brought together a unique compendium which cove 410 0$aWorlds of performance. 606 $aGerman literature 608 $aElectronic books. 615 0$aGerman literature. 676 $a832/.912 701 $aMartin$b Carol$f1952-$0950390 701 $aBial$b Henry$f1970-$0790554 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910452258003321 996 $aBrecht sourcebook$92148772 997 $aUNINA LEADER 01431nam a2200325 i 4500 001 991001871399707536 005 20020507153037.0 008 000517s1990 it ||| | ita 020 $a8814023018 035 $ab11576261-39ule_inst 035 $aLE02726592$9ExL 040 $aDip.to Studi Giuridici$bita 082 0 $a340.1 100 1 $aMacCormick, Neil$0149588 245 13$aIl diritto come istituzione /$cNeil MacCormick, Ota Weinberger ; a cura di Massimo La Torre 260 $aMilano :$bA. Giuffrè,$c1990 300 $axii, 435 p. ;$c24 cm. 490 0 $aLegal philosophical library 490 0 $aSeminario giuridico della Università di Bologna. Miscellanee ;$v8 650 4$aDiritto anglosassone$xPeriodici 700 1 $aWeinberger, Ota$eauthor$4http://id.loc.gov/vocabulary/relators/aut$0230866 700 1 $aLa Torre, Massimo 907 $a.b11576261$b01-03-17$c02-07-02 912 $a991001871399707536 945 $aLE027 340.10 MAC01.01$cC. 1$g1$i2027000182992$lle027$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11782559$z02-07-02 945 $aLE027 340.10 MAC01.01$cC. 2$g2$i2027000206735$lle027$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i11782560$z02-07-02 945 $aLE027 340.10 MAC01.01$cC. 3$g3$i2027000183128$lle027$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i11782572$z02-07-02 996 $aDiritto come istituzione$9574611 997 $aUNISALENTO 998 $ale027$b01-01-00$cm$da $e-$fita$git $h3$i3 LEADER 02493nam 22005654a 450 001 9910782143003321 005 20230823175012.0 010 $a0-8173-8190-2 035 $a(CKB)1000000000537496 035 $a(EBL)438124 035 $a(OCoLC)320324526 035 $a(SSID)ssj0000105294 035 $a(PQKBManifestationID)11128589 035 $a(PQKBTitleCode)TC0000105294 035 $a(PQKBWorkID)10101528 035 $a(PQKB)11619379 035 $a(MdBmJHUP)muse8616 035 $a(Au-PeEL)EBL438124 035 $a(CaPaEBR)ebr10237154 035 $a(MiAaPQ)EBC438124 035 $a(EXLCZ)991000000000537496 100 $a20020403h20022002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArchitectural body /$fMadeline Gins and Arakawa 210 1$aTuscaloosa :$cUniversity of Alabama Press,$d2002. 210 4$a©2002 215 $a1 online resource (xxii, 102 pages) 225 1 $aModern and contemporary poetics 311 0 $a0-8173-1168-8 311 0 $a0-8173-1169-6 320 $aIncludes bibliographical references. 327 $aContents; Preface; Introduction; 1. Organism That Persons; 2. Landing Sites; 3. Architecture as Hypothesis; 4. Architectural Surround; 5. Procedural Architecture; 6. Notes for an Architectural Body; 7. Two Architectural Procedures; 8. Critical Holder; 9. Daily Research; About the Authors 330 $aThis manifesto is a verbal articulation of the authors' visionary theory of how the human body, architecture, and creativity define and sustain one another. This revolutionary work by artist-architects Arakawa and Madeline Gins demonstrates the inter-connectedness of innovative architectural design, the poetic process, and philosophical inquiry. Together, they have created an experimental and widely admired body of work--museum installations, landscape and park commissions, home and office designs, avant-garde films, poetry collections--that challenges traditional notions 410 0$aModern and contemporary poetics. 606 $aArchitecture$xPhilosophy 615 0$aArchitecture$xPhilosophy. 676 $a720/.1 700 $aGins$b Madeline$01572042 701 $aArakawa$b Shu?saku$f1936-2010.$01572043 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782143003321 996 $aArchitectural body$93846649 997 $aUNINA