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010   $a9786611342166
010   $a0-19-804380-5
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035   $a(OCoLC)213393370
035   $a(SSID)ssj0000264931
035   $a(PQKBManifestationID)11226773
035   $a(PQKBTitleCode)TC0000264931
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100   $a20070307d2007      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aUnfinished music$b[electronic resource] /$fRichard Kramer
210   $aNew York $cOxford University Press$d2007
215   $a1 online resource (1071 p.)
300   $aDescription based upon print version of record.
311   $a0-19-991788-4 
311   $a0-19-532682-2 
327   $aCover Page; Title page; Copyright Page; Dedication; Preface; Acknowledgments; Contents; PART I First Things; PART II Emanuel Bach and the Allure of the Irrational; PART III Between Enlightenment and Romance; PART IV Beethoven: Confronting the Past; PART V Fragments; PART VI Death Masks; List of Works Cited; Index; Footnotes
330   $aPreface. I: First Things. 1. Language and the Beginnings of Creation. Preamble. A Rhetoric of Sonata. Sketches and the Improvisatoyr. Fragments/Patrimonies. II: Emanuel Bach and the Allure of the Irrational. 2. Carl Philip Emanuel Bach and the Aesthetics of Patricide. 3. The Ends of Veranderung. 4. Late Works. Kenner and Liebhaber. A Last Sonata. 5. Probestuck. 6. Diderot's Paradoxe and Emanuel Bach's Empfindungen. III: Between Enlightenment and Romance. 7. Haydn's Chaos and Herder's Logos. 8. Beethoven and the Romance of Creation. Beethoven's Sketches and Shakespeare's Lovers. Sketching the I
606   $aMusic$xPsychological aspects
606   $aMusic$xPhilosophy and aesthetics
606   $aComposition (Music)$xPsychological aspects
608   $aElectronic books.
615  0$aMusic$xPsychological aspects.
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aComposition (Music)$xPsychological aspects.
676   $a781.1/7
700   $aKramer$b Richard$f1938-$0140080
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910452249103321
996   $aUnfinished music$91963018
997   $aUNINA