LEADER 01950oam 2200553zu 450 001 9910463359303321 005 20210721055903.0 035 $a(CKB)2670000000419887 035 $a(SSID)ssj0000950576 035 $a(PQKBManifestationID)11597116 035 $a(PQKBTitleCode)TC0000950576 035 $a(PQKBWorkID)10879874 035 $a(PQKB)11263370 035 $a(MiAaPQ)EBC3118278 035 $a(EXLCZ)992670000000419887 100 $a20160829d2013 uy 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 04$aThe Philistines and other "sea peoples" in text and archaeology 210 31$a[Place of publication not identified]$cSociety of Biblical Literature$d2013 225 0 $aSociety of Biblical Literature Archaeology and biblical studies ; v. 15 The Philistines and other "sea peoples" in text and archaeology 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-58983-129-2 606 $aPhilistines$xAntiquities$zMediterranean Region 606 $aSea Peoples$xHistory$zMediterranean Region 606 $aIron age$xHistory$zMediterranean Region 606 $aSocial archaeology 606 $aRegions & Countries - Asia & the Middle East$2HILCC 606 $aHistory & Archaeology$2HILCC 606 $aMiddle East$2HILCC 615 0$aPhilistines$xAntiquities 615 0$aSea Peoples$xHistory 615 0$aIron age$xHistory 615 0$aSocial archaeology 615 7$aRegions & Countries - Asia & the Middle East 615 7$aHistory & Archaeology 615 7$aMiddle East 676 $a938/.01 700 $aKillebrew$b Ann E$0976870 701 $aLehmann$b Gunnar$0976871 702 $aKillebrew$b Ann E 712 02$aSociety of Biblical Literature 801 0$bPQKB 906 $aBOOK 912 $a9910463359303321 996 $aThe Philistines and other "sea peoples" in text and archaeology$92225391 997 $aUNINA LEADER 03506nam 2200661Ia 450 001 9910452241003321 005 20200520144314.0 010 $a1-59095-948-5 035 $a(CKB)1000000000484877 035 $a(EBL)3410604 035 $a(SSID)ssj0000279310 035 $a(PQKBManifestationID)12064232 035 $a(PQKBTitleCode)TC0000279310 035 $a(PQKBWorkID)10259734 035 $a(PQKB)11531833 035 $a(SSID)ssj0000481418 035 $a(PQKBManifestationID)12160307 035 $a(PQKBTitleCode)TC0000481418 035 $a(PQKBWorkID)10483735 035 $a(PQKB)20438435 035 $a(MiAaPQ)EBC3410604 035 $a(Au-PeEL)EBL3410604 035 $a(CaPaEBR)ebr10212602 035 $a(OCoLC)923426903 035 $a(EXLCZ)991000000000484877 100 $a20030318d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCFA 2008 level I certification$b[electronic resource] $ewith preliminary reading assignments ; the candidates question and answer workbook for chartered financial analyst /$fJane Vessey, M. Afdal Pamilih, David Stewart 210 $aFriendswood, TX $cTotalRecall$dc2008 215 $a1 online resource (542 p.) 225 0 $aExamWise ;$vv. 1 225 1 $aThe TotalRecall workbook certification series 300 $aDescription based upon print version of record. 311 $a1-59095-934-5 311 $a1-59095-945-0 327 $a""About the Book:""; ""Online Information:""; ""List of Chapters""; ""Table of Contents""; ""Study Session 01: Ethical and Professional Standards:""; ""Study session 02: Quantitative Methods: Basic Concepts""; ""Study Session 03: Quantitative Methods: Application""; ""Study Session 04: Economics: Microeconomic Analysis""; ""Study Session 05: Economics: Market Structure and Macroeconomic Analysis""; ""Study Session 06: Economics: Monetary and Fiscal Economics""; ""Study Session 07: Financial Statement Analysis: An Introduction"" 327 $a""Study Session 08: Financial Statement Analysis: The Income Statement, Balance Sheet, and Cash Flow Statement""""Study Session 09: Financial Statement Analysis: Inventories, Long-Term Assets, Deferred Taxes, and On-and Off-Balance Sheet Debt""; ""Study Session 10: Financial Statement Analysis: Techniques, Applications, and International Standards Convergence""; ""Study Session 11: Corporate Finance:""; ""Study Session 12: Portfolio Management:""; ""Study Session 13: Equity Investments: Securities Markets""; ""Study Session 14: Equity Investments: Industry and Company Analysis"" 327 $a""Study Session 15: Fixed Income Investments: Basic Concepts""""Study Session 16: Fixed Income Investments: Analysis and Valuation""; ""Study Session 17: Derivative Investments:""; ""Study Session 18: Alternative Investments:""; ""Terminology:""; ""Appendix A:""; ""Download Instructions"" 410 0$aTotalRecall workbook certification series. 606 $aFinancial planners$vStudy guides 606 $aInvestment advisors$vStudy guides 608 $aElectronic books. 615 0$aFinancial planners 615 0$aInvestment advisors 700 $aVessey$b Jane$0887342 701 $aPamilih$b M. Afdal$0956919 701 $aStewart$b David$0552238 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452241003321 996 $aCFA 2008 level I certification$92289583 997 $aUNINA LEADER 03599nam 2200565Ia 450 001 9910783373703321 005 20231005181513.0 010 $a1-280-43908-4 010 $a0-19-972787-2 010 $a1-60129-568-5 035 $a(CKB)1000000000028478 035 $a(StDuBDS)AH24087496 035 $a(SSID)ssj0000246823 035 $a(PQKBManifestationID)11192233 035 $a(PQKBTitleCode)TC0000246823 035 $a(PQKBWorkID)10188577 035 $a(PQKB)10926911 035 $a(MiAaPQ)EBC253377 035 $a(Au-PeEL)EBL253377 035 $a(CaPaEBR)ebr10085376 035 $a(CaONFJC)MIL43908 035 $a(OCoLC)935229202 035 $a(EXLCZ)991000000000028478 100 $a20770217e19931977 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSlow fade to black $ethe Negro in American film, 1900-1942 /$fThomas Cripps 210 $aNew York $cOxford University Press$d1993 215 $a1 online resource (399 pages) $c99 halftones 300 $aCover title: The Negro in American film, 1900-1942. 311 0 $a0-19-502130-4 320 $aIncludes bibliographical references and indexes. 330 $aSlow Fade to Black is a history of US African-American accomplishment in film from the earliest movies through World War II. It explores the growth of discrimination as filmmakers became more and more intrigued with myths of the Old South. 330 $bSet against the backdrop of the black struggle in society, Slow Fade to Black is the definitive history of African-American accomplishment in film--both before and behind the camera--from the earliest movies through World War II. As he records the changing attitudes toward African-Americans both in Hollywood and the nation at large, Cripps explores the growth of discrimination as filmmakers became more and more intrigued with myths of the Old South: the "lost cause" aspect of the Civil War, the stately mansions and gracious ladies of the antebellum South, the "happy" slaves singing in the fields. Cripps shows how these characterizations culminated in the blatantly racist attitudes of Griffith's The Birth of a Nation, and how this film inspired the N.A.A.C.P. to campaign vigorously--and successfully--for change. While the period of the 1920's to 1940's was one replete with Hollywood stereotypes (blacks most often appeared as domestics or "natives," or were portrayed in shiftless, cowardly "Stepin Fetchit" roles), there was also an attempt at independent black production--on the whole unsuccessful. But with the coming of World War II, increasing pressures for a wider use of blacks in films, and calls for more equitable treatment, African-Americans did begin to receive more sympathetic roles, such as that of Sam, the piano player in the 1942 classic Casablanca. A lively, thorough history of African-Americans in the movies, Slow Fade to Black is also a perceptive social commentary on evolving racial attitudes in this country during the first four decades of the twentieth century. 606 $aAfrican Americans in motion pictures 606 $aAfrican Americans in the motion picture industry 615 0$aAfrican Americans in motion pictures. 615 0$aAfrican Americans in the motion picture industry. 676 $a791.43/028/0922 700 $aCripps$b Thomas$01088364 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783373703321 996 $aSlow fade to black$93822825 997 $aUNINA