LEADER 02449nam 2200589 a 450 001 9910452202103321 005 20200520144314.0 010 $a0-8166-9421-4 035 $a(CKB)1000000000346800 035 $a(EBL)310629 035 $a(OCoLC)476095307 035 $a(SSID)ssj0000185122 035 $a(PQKBManifestationID)11187444 035 $a(PQKBTitleCode)TC0000185122 035 $a(PQKBWorkID)10207131 035 $a(PQKB)10560744 035 $a(MiAaPQ)EBC310629 035 $a(OCoLC)191936297 035 $a(MdBmJHUP)muse39363 035 $a(Au-PeEL)EBL310629 035 $a(CaPaEBR)ebr10151159 035 $a(CaONFJC)MIL522786 035 $a(EXLCZ)991000000000346800 100 $a20030114d2003 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aJapanese documentary film$b[electronic resource] $ethe Meiji era through Hiroshima /$fAbe? Mark Nornes 210 $aMinneapolis $cUniversity of Minnesota Press$dc2003 215 $a1 online resource (286 p.) 225 1 $aVisible evidence ;$vv. 15 300 $aDescription based upon print version of record. 311 $a0-8166-4046-7 311 $a0-8166-4045-9 320 $aIncludes bibliographical references (p. 225-247) and index. 327 $aA prehistory of the Japanese documentary -- The innovation of Prokino -- A hardening of style -- Stylish charms: when hard style becomes hard reality -- The last stand of theory -- Kamei Fumio: editing under pressure -- After apocalypse: obliteration of the nation. 330 $aAmong Asian countries-where until recently documentary filmmaking was largely the domain of governments-Japan was exceptional for the vigor of its film industry. And yet, Japanese documentary remains largely unstudied outside of Japan. The first English-language study of the subject, this book provides an enlightening look at the first fifty years of documentary film theory and practice in Japan. 410 0$aVisible evidence ;$vv. 15. 606 $aDocumentary films$zJapan$xHistory and criticism 608 $aElectronic books. 615 0$aDocumentary films$xHistory and criticism. 676 $a070.1/8 700 $aNornes$b Markus$0851190 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452202103321 996 $aJapanese documentary film$92203151 997 $aUNINA