LEADER 04315nam 22006134a 450 001 9910452180903321 005 20200520144314.0 010 $a1-281-73128-5 010 $a9786611731281 010 $a0-300-13308-1 024 7 $a10.12987/9780300133080 035 $a(CKB)1000000000472046 035 $a(StDuBDS)BDZ0022168110 035 $a(SSID)ssj0000214402 035 $a(PQKBManifestationID)11912211 035 $a(PQKBTitleCode)TC0000214402 035 $a(PQKBWorkID)10167100 035 $a(PQKB)11505970 035 $a(StDuBDS)EDZ0000157947 035 $a(MiAaPQ)EBC3420141 035 $a(DE-B1597)484952 035 $a(OCoLC)1013954389 035 $a(DE-B1597)9780300133080 035 $a(Au-PeEL)EBL3420141 035 $a(CaPaEBR)ebr10170831 035 $a(OCoLC)923591465 035 $a(EXLCZ)991000000000472046 100 $a20010313d2001 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOlga Rudge and Ezra Pound$b[electronic resource] $e"What thou lovest well-- " /$fAnne Conover 210 $aNew Haven $cYale University Press$dc2001 215 $a1 online resource (1 online resource (xvi, 351 p., [16] p. of plates) )$cill., ports 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-300-08703-9 320 $aIncludes bibliographical references (p. 329-334) and index. 327 $tFront matter --$tContents --$tPreface --$tAcknowledgments --$t1. Olga and Ezra in Paris --$t2. Julia and Her Daughter --$t3. Halcyon Days No More --$t4. Lost Loves --$t5. A Marriage That Didn't Happen --$t6. The Hidden Nest --$t7. The Breaking Point --$t8. Rare and Unforgettable Little Concerts --$t9. The Red Priest of Venice --$t10. Overture to War --$t11. The Subject Is-Wartime --$t12. The Road to Hell --$t13. What Thou Lovest Well Remains --$t14. A Visitor to St. Elizabeth's --$t15. A Piece of Ginger --$t16. The Last Ten Years --$t17. Olga Triumphant --$tCoda: It All Coheres --$tNotes --$tSecondary Sources --$tIndex 330 $aA loving and admiring companion for half a century to literary titan Ezra Pound, concert violinist Olga Rudge was the muse who inspired the poet to complete his epic poem, The Cantos, and the mother of his only daughter, Mary. Strong-minded and defiant of conventions, Rudge knew the best and worst of times with Pound. With him, she coped with the wrenching dislocations brought about by two catastrophic world wars and experienced modernism's radical transformation of the arts. In this enlightening biography, Anne Conover offers a full portrait of Olga Rudge (1895-1996), drawing for the first time on Rudge's extensive unpublished personal notebooks and correspondence. Conover explores Rudge's relationship with Pound, her influence on his life and career, and her perspective on many details of his controversial life, as well as her own musical career as a violinist and musicologist and a key figure in the revival of Vivaldi's music in the 1930's. In addition to mining documentary sources, the author interviewed Rudge and family members and friends. The result is a vivid account of a highly intelligent and talented woman and the controversial poet whose flame she tended to the end of her long life. The book "es extensively from the Rudge-Pound letters--an almost daily correspondence that began in the 1920's and continued until Pound's death in 1972. These letters shed light on many aspects of Pound's disturbing personality; the complicated and delicate balance he maintained between the two most significant women in his life, Olga and his wife Dorothy, for fifty years; the birth of Olga and Ezra's daughter Mary de Rachewiltz; Pound's alleged anti-Semitism and Fascist sympathies; his wartime broadcasts over Rome radio and indictment for treason; and his twelve-year incarceration in St. Elizabeth's Hospital for the mentally ill. 606 $aViolinists$vBiography 608 $aElectronic books. 615 0$aViolinists 676 $a811/.52 676 $aB 700 $aCarson$b Anne Conover$f1937-$01039196 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452180903321 996 $aOlga Rudge and Ezra Pound$92461253 997 $aUNINA LEADER 03310nam 22004935 450 001 9910136124803321 005 20210727211039.0 010 $a9780226066721 010 $a022606672X 024 7 $a10.7208/9780226066721 035 $a(CKB)3710000000914964 035 $a(MiAaPQ)EBC4519356 035 $a(StDuBDS)EDZ0001588078 035 $a(DE-B1597)523772 035 $a(OCoLC)961271887 035 $a(DE-B1597)9780226066721 035 $a(Perlego)2448561 035 $a(EXLCZ)993710000000914964 100 $a20200424h20162016 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aExecuting Freedom $eThe Cultural Life of Capital Punishment in the United States /$fDaniel LaChance 210 1$aChicago :$cUniversity of Chicago Press,$d[2016] 210 4$dİ2016 215 $a1 online resource (275 pages) 300 $aIncludes index. 311 08$a9780226066691 311 08$a022606669X 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tAcknowledgments --$tIntroduction. When Bundy Buckles Up --$tChapter 1. "Inside Your Daddy's House": Capital Punishment and Creeping Nihilism in the Atomic Age --$tChapter 2. "The Respect Which Is Due Them as Men": The Rise of Retribution in a Polarizing Nation --$tChapter 3. Fixed Risks and Free Souls: Judging and Executing Capital Defendants after Gregg v. Georgia --$tChapter 4. Shock Therapy: The Rehabilitation of Capital Punishment --$tChapter 5. "A Country Worthy of Heroes": The Old West and the New American Death Penalty --$tChapter 6. Father Knows Best: Capital Punishment as a Family Value --$tEpilogue. Disabling Freedom --$tNotes --$tIndex 330 $aIn the mid-1990s, as public trust in big government was near an all-time low, 80% of Americans told Gallup that they supported the death penalty. Why did people who didn't trust government to regulate the economy or provide daily services nonetheless believe that it should have the power to put its citizens to death? That question is at the heart of Executing Freedom, a powerful, wide-ranging examination of the place of the death penalty in American culture and how it has changed over the years. Drawing on an array of sources, including congressional hearings and campaign speeches, true crime classics like In Cold Blood, and films like Dead Man Walking, Daniel LaChance shows how attitudes toward the death penalty have reflected broader shifts in Americans' thinking about the relationship between the individual and the state. Emerging from the height of 1970s disillusion, the simplicity and moral power of the death penalty became a potent symbol for many Americans of what government could do-and LaChance argues, fascinatingly, that it's the very failure of capital punishment to live up to that mythology that could prove its eventual undoing in the United States. 606 $aCapital punishment$zUnited States 615 0$aCapital punishment 676 $a364.660973 700 $aLachance$b Daniel$4aut$4http://id.loc.gov/vocabulary/relators/aut$0946819 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910136124803321 996 $aExecuting Freedom$92139099 997 $aUNINA