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135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aWar machines$b[electronic resource] /$fTom Cohen
210   $aMinneapolis $cUniversity of Minnesota Press$dc2005
215   $a1 online resource (318 p.)
225 0 $aHitchcock's cryptonymies ;$v2
300   $aDescription based upon print version of record.
311   $a0-8166-4171-4 
311   $a0-8166-4170-6 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgments; Preface; Introduction: Hitchcock's Esperanto; Part I. Travel Service Window; 1. Transports; 2. Combined Ops: The Postal Politics of Bon Voyage!; Part II. Prehistory of the Afterlife of Cinema; 3. A Performativity without Frame; 4. ""How Old Is Mae West?""; 5. Phoenix Rex: The Passing of Oedipus in Hitchcock; Part III. Jump Cuts; 6. Time Machines; 7. Matrixide; Part IV. The Black Sun; 8. Prosthesis of the Visible; 9. Upping the Ante: A Deauratic Cinema; 10. Hitchcock's Light Touch; Coda: Trouble at the Se?ance; Notes; Index of Films; A; B; D; E; F; I; J; L; M; N; P; R
327   $aST; V; W; Y
330   $aThis second volume of Hitchcock's Cryptonomies presents the director's works as a radical collage of images and absences, letters and numbers, citations and sounds that together mark Hitchcock as a knowing figure who was entirely aware of his-and cinema's-place at the dawn of a global media culture, as well as of the cinema's revolutionary impact on perception and memory.
606   $aSpy films$xHistory and criticism
606   $aWar films$xHistory and criticism
608   $aElectronic books.
615  0$aSpy films$xHistory and criticism.
615  0$aWar films$xHistory and criticism.
676   $a791.4302/33
700   $aCohen$b Tom$f1953-$0546277
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910452169403321
996   $aWar machines$92254286
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