LEADER 02618nam  22005294a 450 
001 9910452122003321
005 20200520144314.0
010   $a0-8166-9927-5
035   $a(CKB)1000000000481119
035   $a(EBL)322596
035   $a(OCoLC)476120203
035   $a(SSID)ssj0000154787
035   $a(PQKBManifestationID)11156431
035   $a(PQKBTitleCode)TC0000154787
035   $a(PQKBWorkID)10417131
035   $a(PQKB)10978798
035   $a(MiAaPQ)EBC322596
035   $a(Au-PeEL)EBL322596
035   $a(CaPaEBR)ebr10202553
035   $a(OCoLC)437193735
035   $a(EXLCZ)991000000000481119
100   $a20060517e20061991  ub             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFilm hieroglyphs$b[electronic resource] $eruptures in classical cinema /$fTom Conley, with a new Introduction
210   $aMinneapolis $cUniversity of Minnesota Press$dc2006
215   $a1 online resource (300 p.)
300   $aOriginally published: Minneapolis : University of Minnesota Press, 1991.
311   $a0-8166-4970-7 
320   $aIncludes bibliographical references (p. 217-241) and index.
327   $aContents; Acknowledgments; Hieroglyphs Then and Now; Introduction; 1. The Filmic Icon: Boudu sauve? des eaux; 2. The Law of the Letter: Scarlet Street; 3. Dummies Revived: Manpower; 4. The Nether Eye: Objective, Burma!; 5. Facts and Figures of History: Paisan; 6. The Human Alphabet: La be?te humaine; 7. Decoding Film Noir: The Killers, High Sierra, and White Heat; Epilogue; Appendix; Notes; Index
330   $aAt a time when traditional film theory privileged the purely visual, Film Hieroglyphs introduced a new way of watching film-examining the ways in which writing bears on cinema. Author Tom Conley gives special consideration to the points (ruptures) at which story, image, and writing appear to be at odds with one another. Conley hypothesizes that major directors-Renoir, Lang, Walsh, Rossellini-tend unconsciously to meld history and ideology. Graphic elements are seen as simultaneously foreign and integral to the field of the image. From these contradictions hieroglyphs emerge that mark a design 
606   $aMotion picture plays$xHistory and criticism
608   $aElectronic books.
615  0$aMotion picture plays$xHistory and criticism.
676   $a791.4309
700   $aConley$b Tom$0168200
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910452122003321
996   $aFilm hieroglyphs$92223837
997   $aUNINA