LEADER 02709nam 2200673Ia 450 001 9910452096303321 005 20200520144314.0 010 $a0-19-802000-7 010 $a1-280-52299-2 010 $a9786610522996 010 $a1-4294-0145-1 035 $a(CKB)1000000000465664 035 $a(EBL)271046 035 $a(OCoLC)476006296 035 $a(SSID)ssj0000289637 035 $a(PQKBManifestationID)12070955 035 $a(PQKBTitleCode)TC0000289637 035 $a(PQKBWorkID)10401437 035 $a(PQKB)10385290 035 $a(SSID)ssj0000108940 035 $a(PQKBManifestationID)11129577 035 $a(PQKBTitleCode)TC0000108940 035 $a(PQKBWorkID)10044135 035 $a(PQKB)10759789 035 $a(MiAaPQ)EBC271046 035 $a(Au-PeEL)EBL271046 035 $a(CaPaEBR)ebr10142045 035 $a(CaONFJC)MIL52299 035 $a(OCoLC)466424142 035 $a(EXLCZ)991000000000465664 100 $a19940926d1960 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBaseball$b[electronic resource] $ethe early years /$fby Harold Seymour 210 $aNew York $cOxford University Press$d1960 215 $a1 online resource (394 p.) 300 $aDescription based upon print version of record. 311 $a0-19-505912-3 311 $a0-19-500100-1 320 $aIncludes bibliographical references and index. 327 $aCONTENTS; PART ONE - THE AMATEUR ERA; PART TWO - BASEBALL BECOMES A BUSINESS; PART THREE - ORGANIZED BASEBALL; PART FOUR - MONOPOLY AT ITS APEX; BIBLIOGRAPHICAL NOTE; INDEX 330 $aThese two critically-acclaimed volumes mark the beginning of a monumental multi-volume study of baseball by the man whom Sports Illustrated has called ""the Edward Gibbon of baseball history."" Now available in paperback, Harold Seymour's The Early Years and The Golden Age together recount the true story of how baseball came into being and how it developed into a highly organized business and social institution. The first volume, The Early Years , traces the growth of baseball from the time of the first recorded ball game at Valley Forge during the revolution until the formation of the two pre 606 $aBaseball$zUnited States$xHistory 606 $aBall games$zUnited States$xHistory 608 $aElectronic books. 615 0$aBaseball$xHistory. 615 0$aBall games$xHistory. 676 $a796.357 700 $aSeymour$b Harold$f1910-1992.$0877620 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452096303321 996 $aBaseball$91959678 997 $aUNINA LEADER 04058nam 2200685 450 001 9910819825403321 005 20200520144314.0 010 $a1-4773-0749-4 024 7 $a10.7560/305485 035 $a(CKB)3710000000491754 035 $a(EBL)4397273 035 $a(SSID)ssj0001570956 035 $a(PQKBManifestationID)16219810 035 $a(PQKBTitleCode)TC0001570956 035 $a(PQKBWorkID)14196382 035 $a(PQKB)10594393 035 $a(Au-PeEL)EBL4397273 035 $a(CaPaEBR)ebr11255354 035 $a(OCoLC)925337001 035 $a(MiAaPQ)EBC4397273 035 $a(DE-B1597)587291 035 $a(DE-B1597)9781477307496 035 $a(EXLCZ)993710000000491754 100 $a20160914h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPhotopoetics at Tlatelolco $eAfterimages of Mexico, 1968 /$fSamuel Steinberg 205 $aFirst edition. 210 1$aAustin, [Texas] :$cUniversity of Texas Press,$d2016. 210 4$dİ2016 215 $a1 online resource (266 p.) 225 1 $aBorder Hispanisms 300 $aDescription based upon print version of record. 311 $a1-4773-0548-3 320 $aIncludes bibliographical references and index. 327 $aArchive and event -- Postponed images : the plenitude of the unfinished -- Testimonio and the future without excision -- Exorcinema : spectral transitions -- Literary restoration -- An-archaeologies of 1968. 330 $aIn the months leading up to the 1968 Olympic games in Mexico City, students took to the streets, calling for greater democratization and decrying crackdowns on political resistance by the ruling PRI party. During a mass meeting held at the Plaza of the Three Cultures in the Tlatelolco neighborhood, paramilitary forces opened fire on the gathering. The death toll from the massacre remains a contested number, ranging from an official count in the dozens to estimates in the hundreds by journalists and scholars. Rereading the legacy of this tragedy through diverse artistic-political interventions across the decades, Photopoetics at Tlatelolco explores the state?s dual repression?both the massacre?s crushing effects on the movement and the manipulation of cultural discourse and political thought in the aftermath. Examining artifacts ranging from documentary photography and testimony to poetry, essays, chronicles, cinema, literary texts, video, and performance, Samuel Steinberg considers the broad photographic and photopoetic nature of modern witnessing as well as the specific elements of light (gunfire, flares, camera flashes) that ultimately defined the massacre. Steinberg also demonstrates the ways in which the labels of ?massacre? and ?sacrifice? inform contemporary perceptions of the state?s blatant and violent repression of unrest. With implications for similar processes throughout the rest of Latin America from the 1960s to the present day, Photopoetics at Tlatelolco provides a powerful new model for understanding the intersection of political history and cultural memory. 410 0$aBorder Hispanisms. 606 $aTlatelolco Massacre, Mexico City, Mexico, 1968 606 $aStudent movements$zMexico$zMexico City$xHistory$y20th century 606 $aDocumentary films$zMexico$xHistory$y20th century 606 $aMexican literature$y20th century$xHistory and criticism 607 $aTlatelolco (Mexico)$xHistory 607 $aMexico$xPolitics and government$y1946-1970 615 0$aTlatelolco Massacre, Mexico City, Mexico, 1968. 615 0$aStudent movements$xHistory 615 0$aDocumentary films$xHistory 615 0$aMexican literature$xHistory and criticism. 676 $a972/.530831 700 $aSteinberg$b Samuel$c(Assistant professor of Spanish),$01605300 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819825403321 996 $aPhotopoetics at Tlatelolco$93930460 997 $aUNINA