LEADER 03058nam 2200625Ia 450 001 9910452074703321 005 20210521004303.0 010 $a94-012-0446-2 010 $a1-4356-0068-1 024 7 $a10.1163/9789401204460 035 $a(CKB)1000000000478238 035 $a(EBL)556508 035 $a(OCoLC)712988626 035 $a(SSID)ssj0000190792 035 $a(PQKBManifestationID)12056345 035 $a(PQKBTitleCode)TC0000190792 035 $a(PQKBWorkID)10180806 035 $a(PQKB)10145305 035 $a(MiAaPQ)EBC556508 035 $a(nllekb)BRILL9789401204460 035 $a(Au-PeEL)EBL556508 035 $a(CaPaEBR)ebr10380387 035 $a(EXLCZ)991000000000478238 100 $a20070511d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLeaving Parnassus$b[electronic resource] $ethe lyric subject in Verlaine and Rimbaud /$fSeth Whidden 210 $aAmsterdam $cRodopi$d2007 215 $a1 online resource (231 p.) 225 1 $aFaux titre,$x0167-9392 ;$vno. 296 300 $aDescription based upon print version of record. 311 $a90-420-2210-8 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Acknowledgments -- Introduction -- The Dominance of Parnassian Poetry -- Verlaine?s Identities -- Rimbaud, Beyond Time and Space -- Conclusion -- Bibliography -- Index. 330 $aLeaving Parnassus: The Lyric Subject in Verlaine and Rimbaud considers how the crisis of the lyric subject in the middle of the nineteenth century in France is a direct response to the aesthetic principles of Parnassian poetry, which dominated the second half of the century much more than critics often think. The poets considered here rebel against the strict confines of traditional and contemporary poetry and attempt to create radically new discursive practices. Specifically, the close readings of poems apply recent studies of subjectivity in poetry and focus on the works of Paul Verlaine and Arthur Rimbaud to see how each subverts the dominant tradition of French poetry in a unique way. Whereas previous studies considered isolated aspects of each poet?s lyric subject, Leaving Parnassus shows that the situation of the lyric is a source of subversion throughout the poets? entire work, and as such it is crucial to our full understanding of their respective innovations. 410 0$aFaux titre ;$vno. 296. 606 $aFrench poetry$y19th century$xHistory and criticism 606 $aParnassianism$zFrance 606 $aSubjectivity in literature 608 $aElectronic books. 615 0$aFrench poetry$xHistory and criticism. 615 0$aParnassianism 615 0$aSubjectivity in literature. 676 $a841.8 700 $aWhidden$b Seth Adam$f1969-$0959197 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452074703321 996 $aLeaving Parnassus$92173330 997 $aUNINA