LEADER 03657nam  22006734a 450 
001 9910452048503321
005 20200520144314.0
010   $a0-262-31173-9
010   $a1-282-09836-5
010   $a9786612098369
010   $a0-262-28021-3
010   $a1-4294-7737-7
035   $a(CKB)1000000000465374
035   $a(EBL)3338652
035   $a(OCoLC)145464084
035   $a(SSID)ssj0000210542
035   $a(PQKBManifestationID)11220745
035   $a(PQKBTitleCode)TC0000210542
035   $a(PQKBWorkID)10282983
035   $a(PQKB)11639158
035   $a(MiAaPQ)EBC3338652
035   $a(OCoLC)145464084$z(OCoLC)191935060$z(OCoLC)473752203$z(OCoLC)488454717$z(OCoLC)614965328$z(OCoLC)648226923$z(OCoLC)648579649$z(OCoLC)722566180$z(OCoLC)728037372$z(OCoLC)815776519$z(OCoLC)961648754$z(OCoLC)962619608$z(OCoLC)988421733$z(OCoLC)991990849$z(OCoLC)992014742$z(OCoLC)1022296180$z(OCoLC)1037391434$z(OCoLC)1037941401$z(OCoLC)1038616270$z(OCoLC)1055372023$z(OCoLC)1056637969$z(OCoLC)1066594576$z(OCoLC)1081241951$z(OCoLC)1083556905
035   $a(OCoLC-P)145464084
035   $a(MaCbMITP)5002
035   $a(Au-PeEL)EBL3338652
035   $a(CaPaEBR)ebr10173714
035   $a(CaONFJC)MIL209836
035   $a(EXLCZ)991000000000465374
100   $a20051116d2006      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 00$aNew media poetics$b[electronic resource] $econtexts, technotexts, and theories /$fedited by Adalaide Morris and Thomas Swiss
210   $aCambridge, Mass. $cMIT Press$dc2006
215   $a1 online resource (438 p.)
225 1 $aLeonardo
300   $aDescription based upon print version of record.
311   $a0-262-51338-2 
311   $a0-262-13463-2 
320   $aIncludes bibliographical references (p. [371]-402) and index.
327   $aContents; Series Foreword; Acknowledgments; I - Contexts; 1 - New Media Poetics: As We May Think/How to Write ; 2 - The Bride Stripped Bare: Nude Media and the Dematerialization of Tony Curtis; 3 - Toward a Poetics for Circulars; 4 - Riding the Meridian; 5 - Electric Line: The Poetics of Digital Audio Editing; 6 - Kinetic Is as Kinetic Does: On the Institutionalization of Digital Poetry; II - Technotexts; 7 - Screening the Page/Paging the Screen: Digital Poetics and the Differential Text; 8 - Universe; 9 - The Time of Digital Poetry: From Object to Event; 10 - Io Sono At Swoons
327   $a11 - Digital Gestures12 - 3 Proposals for Bottle Imps; 13 - Language Writing, Digital Poetics, and Transitional Materialities; 14 - Nomadic Poetry; III -Theories; 15 - Beyond Taxonomy: Digital Poetics Problem of Reading; 16 - Time Code Language: New Media Poeticsand Programmed Signification; 17 - Poetics in the Expanded Field: Textual, Visual, Digital . . .; Bibliography; Contributors; Index
330   $aThe first collection of writings on poetry that is composed, disseminated, and read on computers; essays and artist statements explore visually arresting, aurally charged, and dynamic works that are created by a synergy of human beings and intelligent mac.
410  0$aLeonardo (Series) (Cambridge, Mass.)
606   $aComputer poetry$xHistory and criticism
608   $aElectronic books.
615  0$aComputer poetry$xHistory and criticism.
676   $a808.10285
701   $aMorris$b Adalaide Kirby$f1942-$0971220
701   $aSwiss$b Thomas$f1952-$0971221
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910452048503321
996   $aNew media poetics$92207719
997   $aUNINA