LEADER 04136nam 22007214a 450 001 9910452028203321 005 20200520144314.0 010 $a0-262-27596-1 010 $a1-282-09750-4 010 $a9786612097508 010 $a1-4237-7446-9 035 $a(CKB)1000000000461571 035 $a(OCoLC)614970932 035 $a(CaPaEBR)ebrary10173608 035 $a(SSID)ssj0000520026 035 $a(PQKBManifestationID)12205050 035 $a(PQKBTitleCode)TC0000520026 035 $a(PQKBWorkID)10523872 035 $a(PQKB)10820778 035 $a(SSID)ssj0000254503 035 $a(PQKBManifestationID)11218733 035 $a(PQKBTitleCode)TC0000254503 035 $a(PQKBWorkID)10208663 035 $a(PQKB)11245955 035 $a(MiAaPQ)EBC3338552 035 $a(OCoLC)69649640$z(OCoLC)191952889$z(OCoLC)473861957$z(OCoLC)614970932$z(OCoLC)648224768$z(OCoLC)722564915$z(OCoLC)728037096$z(OCoLC)743198193$z(OCoLC)815776421$z(OCoLC)860599093$z(OCoLC)939263652$z(OCoLC)961526470$z(OCoLC)962598450$z(OCoLC)988421891$z(OCoLC)990410527$z(OCoLC)991926683$z(OCoLC)1037500068$z(OCoLC)1037917689$z(OCoLC)1038653845$z(OCoLC)1055386999$z(OCoLC)1065090374$z(OCoLC)1077875324$z(OCoLC)1081228463$z(OCoLC)1083554129 035 $a(OCoLC-P)69649640 035 $a(MaCbMITP)6575 035 $a(PPN)187484724 035 $a(Au-PeEL)EBL3338552 035 $a(CaPaEBR)ebr10173608 035 $a(CaONFJC)MIL209750 035 $a(OCoLC)939263652 035 $a(EXLCZ)991000000000461571 100 $a20050822d2006 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSweet anticipation$b[electronic resource] $emusic and the psychology of expectation /$fDavid Huron 210 $aCambridge, Mass. $cMIT Press$dc2006 215 $a1 online resource (477 p.) 300 $a"A Bradford book." 311 $a0-262-58278-3 311 $a0-262-08345-0 320 $aIncludes bibliographical references (p. [423]-448) and index. 330 $aThe psychological theory of expectation that David Huron proposes in Sweet Anticipation grew out of the author's experimental efforts to understand how music evokes emotions. These efforts evolved into a general theory of expectation that will prove informative to readers interested in cognitive science and evolutionary psychology as well as those interested in music. The book describes a set of psychological mechanisms and illustrates how these mechanisms work in the case of music. All examples of notated music can be heard on the Web. Huron proposes that emotions evoked by expectation involve five functionally distinct response systems: reaction responses (which engage defensive reflexes); tension responses (where uncertainty leads to stress); prediction responses (which reward accurate prediction); imagination responses (which facilitate deferred gratification); and appraisal responses (which occur after conscious thought is engaged). For real-world events, these five response systems typically produce a complex mixture of feelings. The book identifies some of the aesthetic possibilities afforded by expectation, and shows how common musical devices (such as syncopation, cadence, meter, tonality, and climax) exploit the psychological opportunities. The theory also provides new insights into the physiological psychology of awe, laughter, and spine-tingling chills. Huron traces the psychology of expectations from the patterns of the physical/cultural world through imperfectly learned heuristics used to predict that world to the phenomenal qualia we experienced as we apprehend the world. 606 $aMusic$xPsychological aspects 606 $aExpectation (Psychology) 608 $aElectronic books. 615 0$aMusic$xPsychological aspects. 615 0$aExpectation (Psychology) 676 $a781/.11 686 $a24.44$2bcl 700 $aHuron$b David Brian$0471554 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452028203321 996 $aSweet anticipation$9229232 997 $aUNINA