LEADER 01132cam0-22003251i-450- 001 990004044570403321 005 20120614113655.0 035 $a000404457 035 $aFED01000404457 035 $a(Aleph)000404457FED01 035 $a000404457 100 $a19990604d1969----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $a<>cronachistica veneziana (secoli XIII-XVI) di fronte alla spartizione della Romania nel 1204$fAntonio Carile$gcon un appendice di p. R.J. Loenertz 210 $aFirenze$cLeo Olschki$d1969 215 $a586 p.$d22 cm 225 1 $aCiviltà veneziana$iStudi$v25 610 0 $aVenezia $a1204$aStoriografia$aSec. 13.-16. 676 $a945.304$v21$zita 700 1$aCarile,$bAntonio$f<1940- >$035188 702 1$aLoenertz,$bRaymond-Joseph$f<1900-1976> 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a990004044570403321 952 $a945.304 CAR 1$bD.D.S.1136$fFLFBC 959 $aFLFBC 996 $aCronachistica veneziana (secoli XIII-XVI) di fronte alla spartizione della Romania nel 1204$9298942 997 $aUNINA LEADER 03277nam 22006134a 450 001 9910451981903321 005 20200520144314.0 010 $a1-281-72168-9 010 $a9786611721688 010 $a0-300-12823-1 024 7 $a10.12987/9780300128239 035 $a(CKB)1000000000471903 035 $a(StDuBDS)BDZ0022171425 035 $a(SSID)ssj0000270780 035 $a(PQKBManifestationID)11211725 035 $a(PQKBTitleCode)TC0000270780 035 $a(PQKBWorkID)10262274 035 $a(PQKB)10715722 035 $a(StDuBDS)EDZ0000165606 035 $a(MiAaPQ)EBC3419912 035 $a(DE-B1597)484981 035 $a(OCoLC)1023999376 035 $a(DE-B1597)9780300128239 035 $a(Au-PeEL)EBL3419912 035 $a(CaPaEBR)ebr10169938 035 $a(CaONFJC)MIL172168 035 $a(OCoLC)923588423 035 $a(EXLCZ)991000000000471903 100 $a20011026d2002 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWhat to listen for in rock$b[electronic resource] $ea stylistic analysis /$fKen Stephenson 210 $aNew Haven $cYale University Press$dc2002 215 $a1 online resource (1 online resource (xvii, 253 p.) )$cmusic 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-300-09239-3 320 $aIncludes discography (p. 195-196), bibliographical references (p. 197-217), and index. 327 $aPhrase rhythm -- Key and mode -- Cadences -- Chord type and harmonic palette -- Harmonic succession -- Form -- Analyzing a hit. 330 $aIn this concise and engaging analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950's to the present, emphasizing the theoretical underpinnings of the style and, for the first time, systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The book addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides richly detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the past half-century and within most substyles. For music students at the college level and for practicing rock musicians who desire a deeper understanding of their music, this book is an essential resource. 606 $aRock music$xAnalysis, appreciation 608 $aElectronic books. 615 0$aRock music$xAnalysis, appreciation. 676 $a781.66/117 700 $aStephenson$b Ken$f1959-$01055875 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451981903321 996 $aWhat to listen for in rock$92489657 997 $aUNINA