LEADER 03465nam 22007332 450 001 9910451966803321 005 20151005020622.0 010 $a1-107-22981-2 010 $a1-139-36610-6 010 $a1-280-64757-4 010 $a9786613633620 010 $a1-139-37866-X 010 $a1-139-02818-9 010 $a1-139-37580-6 010 $a1-139-37723-X 010 $a1-139-37181-9 010 $a1-139-38009-5 035 $a(CKB)2550000000103321 035 $a(EBL)880637 035 $a(OCoLC)794327661 035 $a(SSID)ssj0000654513 035 $a(PQKBManifestationID)11401553 035 $a(PQKBTitleCode)TC0000654513 035 $a(PQKBWorkID)10681083 035 $a(PQKB)10612283 035 $a(UkCbUP)CR9781139028189 035 $a(MiAaPQ)EBC880637 035 $a(Au-PeEL)EBL880637 035 $a(CaPaEBR)ebr10565059 035 $a(CaONFJC)MIL363362 035 $a(EXLCZ)992550000000103321 100 $a20110221d2012|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Ballets russes and beyond $emusic and dance in belle-e?poque Paris /$fDavinia Caddy$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2012. 215 $a1 online resource (xvi, 237 pages) $cdigital, PDF file(s) 225 1 $aNew perspectives in music history and criticism ;$v22 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-316-62363-7 311 $a1-107-01440-9 320 $aIncludes bibliographical references and index. 327 $a1. Introduction: Le Ge?nie de la danse -- 2. Ballet at the Ope?ra and La Fe?te chez The?re?se -- 3. Nijinsky's Faune revisited -- 4. Metaphors of invasion: the Ballets Russes and the French press -- 5. Beyond and behind Le Coq d'or. 330 $aBelle-e?poque Paris witnessed the emergence of a vibrant and diverse dance scene, one that crystallized around the Ballets Russes, the Russian dance company formed by impresario Sergey Diaghilev. The company has long served as a convenient turning point in the history of dance, celebrated for its revolutionary choreography and innovative productions. This book presents a fresh slant on this much-told history. Focusing on the relation between music and dance, Davinia Caddy approaches the Ballets Russes with a wide-angled lens that embraces not just the choreographic, but also the cultural, political, theatrical and aesthetic contexts in which the company made its name. In addition, Caddy examines and interprets contemporary French dance practices, throwing new light on some of the most important debates and discourses of the day. 410 0$aNew perspectives in music history and criticism ;$v22. 517 3 $aThe Ballets Russes & Beyond 606 $aBallet$zFrance$zParis$xHistory$y20th century 606 $aDance$zFrance$zParis$xHistory$y20th century 606 $aMusic$zFrance$zParis$xHistory$y20th century 607 $aParis (France)$xSocial life and customs$y20th century 615 0$aBallet$xHistory 615 0$aDance$xHistory 615 0$aMusic$xHistory 676 $a792.80944361 700 $aCaddy$b Davinia$f1980-$01027904 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910451966803321 996 $aThe Ballets russes and beyond$92443647 997 $aUNINA