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100   $a19800122d1980      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aHieroglyph of time$b[electronic resource] $ethe Petrarchan sestina /$fMarianne Shapiro
210   $aMinneapolis $cUniversity of Minnesota Press$dc1980
215   $a1 online resource (267 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-0945-4 
320   $aIncludes bibliography and indexes.
327   $aCONTENTS; PREFATORY NOTE; Chapter 1. INTRODUCTION; Chapter 2. ARNAUT AND ARNALDIANS; Chapter 3. CONCEPTS OF TIME AND THE PETRARCHAN SESTINA; Chapter 4. DANTE;  FIVE SESTINAS BY PETRARCH; Chapter 5. DIALECTICS OF RENAISSANCE IMITATION: THE CASE OF PONTUS DE TYARD; Chapter 6. THE PASTORAL SESTINA; Chapter 7. THE SHIP ALLEGORY; Chapter 8. EPILOGUE; REFERENCES; INDEXES
330   $aHieroglyph of Time was first published in 1981. ""A dance of the intellect among words,"" Ezra Pound called the sestina. A poetic form invented by a Provenc?al troubadour, Arnaut Daniel, the sestina was elaborated and refined by Petrarch and is used today exactly as it was created. In Hieroglyph of Time, the first critical study of the sestina, Marianne Shapiro analyzes poems by Daniel, Petrarch, Pontus de Tyard, Sannazaro, Sidney, Spenser, Auden, Pound, Merwin, and Ashbery and discusses sestinas composed in German and Portuguese. In so doing, she traces a strand that links modern to Medieval p
606   $aSestinas$xHistory and criticism
608   $aElectronic books.
615  0$aSestinas$xHistory and criticism.
676   $a809.1/42
700   $aShapiro$b Marianne$0552558
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910451865903321
996   $aHieroglyph of time$91900969
997   $aUNINA