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135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 10$aMusic in the galant style$b[electronic resource] /$fRobert O. Gjerdingen
210   $aNew York $cOxford University Press$d2007
215   $a1 online resource (792 p.)
300   $aDescription based upon print version of record.
311   $a0-19-531371-2 
320   $aIncludes index.
327   $aCover Page; Title Page; Copyright Page; Dedication; Acknowledgments; Contents; 1 Introduction; 2 The Romanesca; 3 The Prinner; 4 The Fonte; 5 A Minuet; 6 The Do-Re-Mi; 7 The Monte; 8 A Theme And Variations; 9 The Meyer; 10 A Theme And Variations; 11 Clausulae; 12 An Andante; 13 The Quiescenza; 14 The Ponte; 15 A Grave Sostenuto; 16 The Fenaroli; 17 An Allegro; 18 The Sol-Fa-Mi; 19 An Andante; 20 The Indugio; 21 A Cantabile; 22 A Larghetto; 23 An Andantino; 24 An Andantino Affettuoso; 25 The Child Mozart; 26 An Allegro; 27 II Filo: A Poco Adagio; 28 A Model Adagio; 29 A Model Allegro
327   $a30 Summary And CadenzaAppendix A: Schema Prototypes; Appendix B: Partimenti; Notes; Index Of Music Sources; General Index
330   $aMusic in the Galant Style is an authoritative and readily understandable study of the core compositional style of the eighteenth century. Gjerdingen adopts a unique approach, based on a massive but little-known corpus of pedagogical workbooks used by the most influential teachers of the century, the Italian partimenti. He has brought this vital repository of compositional methods into confrontation with a set of schemata distilled from an enormous body of eighteenth-century music, much of it known only to specialists, formative of the ""galant style.""
606   $aMusic$zEurope$y18th century$xHistory and criticism
606   $aStyle, Musical
606   $aMusical analysis
608   $aElectronic books.
615  0$aMusic$xHistory and criticism.
615  0$aStyle, Musical.
615  0$aMusical analysis.
676   $a780.9/033
700   $aGjerdingen$b Robert O$0763308
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910451863203321
996   $aMusic in the galant style$92123872
997   $aUNINA