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100   $a20180706d2005      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aTalking to the audience $eShakespeare, performance, self /$fBridget Escolme
210  1$aLondon ;$aNew York :$cRoutledge,$d2005.
215   $a1 online resource (211 p.)
300   $aDescription based upon print version of record.
311   $a0-415-33223-0 
311   $a0-415-33222-2 
320   $aIncludes bibliographical references and index.
327   $aCover; Talking to the Audience: Shakespeare, Performance, Self; Copyright; Contents; List of Illustrations; Acknowledgments; 1. Actors, Academics, Selves; 2. 'Bits and Bitterness': Politics, Performance,; 3. The Point or the Question? Text, Performance,; 4. The Theatre and the Presence Chamber: History, Performance; 5. Performing Human: The Soci?etas Raffaello Sanzio; Conclusion; Notes; Productions Cited; Bibliography; Index
330   $aThis unique study investigates the ways in which the staging convention of direct address - talking to the audience - can construct selfhood, for Shakespeare's characters. By focusing specifically on the relationship between performer and audience, Talking to the Audience examines what happens when the audience are in the presence of a dramatic figure who knows they are there. It is a book concerned with theatrical illusion; with the pleasures and disturbances of seeing 'characters' produced in the moment of performance.Through analysis of contemporary productions Talking to t
606   $aTheater audiences
606   $aActing
608   $aElectronic books.
615  0$aTheater audiences.
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676   $a792.95
700   $aEscolme$b Bridget$f1964-,$0948747
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801  1$bMiAaPQ
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906   $aBOOK
912   $a9910451788203321
996   $aTalking to the audience$92231111
997   $aUNINA