LEADER 05198oam 2200781I 450 001 9910451724603321 005 20200520144314.0 010 $a1-136-45439-X 010 $a0-203-12616-5 024 7 $a10.4324/9780203126165 035 $a(CKB)2550000000098190 035 $a(EBL)956914 035 $a(OCoLC)798532448 035 $a(SSID)ssj0000678769 035 $a(PQKBManifestationID)11396297 035 $a(PQKBTitleCode)TC0000678769 035 $a(PQKBWorkID)10728678 035 $a(PQKB)11750089 035 $a(MiAaPQ)EBC956914 035 $a(Au-PeEL)EBL956914 035 $a(CaPaEBR)ebr10542351 035 $a(CaONFJC)MIL761088 035 $a(OCoLC)785335315 035 $a(EXLCZ)992550000000098190 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aPostcolonial audiences $ereaders, viewers and reception /$fedited by Bethan Benwell, James Procter and Gemma Robinson 210 1$aNew York :$cRoutledge,$d2012. 215 $a1 online resource (267 p.) 225 1 $aRoutledge research in postcolonial literatures ;$v37 300 $aDescription based upon print version of record. 311 $a1-138-85155-8 311 $a0-415-88871-9 320 $aIncludes bibliographical references and index. 327 $aFront Cover; Postcolonial Audiences; Copyright Page; Contents; List of Figures; Acknowledgements; A Preface: Reflections on The Postcolonial Exotic: Graham Huggan; Introduction: Bethan Benwell, James Procterand Gemma Robinson; Part I: Real Readers/Actual Audiences; 1. The Politics of PostcolonialLaughter: The International Reception of the NewZealand Animated Comedy Series bro'Town: Michelle Keown; 2. "That May Be Where I Come from but That's Not How I Read": Diaspora, Location and Reading Identities: Bethan Benwell, James Procter and Gemma Robinson 327 $a3. "Bollywood" Adolescents: Young Viewers Discuss Class, Representation and Hindi Films: Shakuntala BanajiPart II: Readers and Publishers; 4. Does the North Read the South?: The International Reception of South African Scholarly Texts: Elizabeth Le Roux; 5. William Plomer Reading: The Publisher's Reader at Jonathan Cape: Gail Low; 6. Too Much Rushdie, Not Enough Romance?: The UK Publishing Industry and BME (Black Minority Ethnic) Readership: Claire Squires; Part III: Reading in Representation; 7. Rushdie's Hero as Audience: Interpreting India through Indian Popular Cinema: Florian Stadtler 327 $a8. The "New" India and the Politics of Reading in Pankaj Mishra's Butter Chicken in Ludhiana: Lucienne Loh9. Local and Global Reading Communities in Robert Antoni's My Grandmother's Erotic Folktales: Lucy Evans; Part IV: Reading and Nationalism; 10. Reading Gender and Social Reform in the Indian Social Reformer: Srila Nayak; 11. Reading after Terror: The Reluctant Fundamentalist and First-World Allegory: Neelam Srivastava; 12. "Macaulay's Children": Thomas Babington Macaulay and the Imperialism of Reading in India: Katie Halsey; Part V: Reading and Postcolonial Ethics 327 $a13. Theorising Postcolonial Reception: Writing, Reading and Moral Agency in the Satanic Verses Affair: Daniel Allington14. Reading before the Law: Melville's 'Bartleby' and Asylum Seeker Narratives: David Farrier; 15. Sympathetic Shame in J. M. Coetzee's Disgrace and Diary of a Bad Year: Katherine Hallemeier; 16. Responsible Reading and Cultural Distance: Derek Attridge; Contributors; Index 330 $aWithout readers and audiences, viewers and consumers, the postcolonial would be literally unthinkable. And yet, postcolonial critics have historically neglected the modes of reception and consumption that make up the politics, and pleasures of meaning-making during and after empire. 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