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100   $a19990901d2000      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aAssembling the lyric self$b[electronic resource] $eauthorship from Troubadour song to Italian poetry book /$fOlivia Holmes
210   $aMinneapolis ;$aLondon $cUniversity of Minnesota Press$dc2000
215   $a1 online resource (257 p.)
225 1 $aMedieval cultures ;$vv. 21
300   $aDescription based upon print version of record.
311   $a0-8166-3344-4 
311   $a0-8166-3343-6 
320   $aIncludes bibliographical references and index.
327   $aContents; List of Manuscripts; Acknowledgments; 1. Assembling the Book and Its Author; 2. Uc de Saint Circ; 3. Guittone d'Arezzo; 4. "De' varie romanze volgare"; 5. Guiraut Riquier; 6. Dante's "Vita nova"; 7. Nicolo? de' Rossi; 8. Petrarch's "Canzoniere"; Conclusion; Notes; Bibliography; Index
330   $aAssembling the Lyric Self investigates the transition in the thirteenth and fourteenth centuries from the first surviving Provenc?al and Italian manuscripts (mostly multiauthor lyric anthologies prepared by scribes) to the single-author codex-that is, to the form we now think of as the book of poems. Working from extensive archival and philological research, Olivia Holmes explores the efforts of individual poets to establish poetic authenticity and authority in the context of expanding vernacular literacy.
410  0$aMedieval cultures ;$vv. 21.
606   $aItalian poetry$yTo 1400$xHistory and criticism
606   $aPoetry$xAuthorship
606   $aProvenc?al poetry$xInfluence
606   $aTroubadours$zItaly
608   $aElectronic books.
615  0$aItalian poetry$xHistory and criticism.
615  0$aPoetry$xAuthorship.
615  0$aProvenc?al poetry$xInfluence.
615  0$aTroubadours
676   $a808.1
676   $a851/.109
700   $aHolmes$b Olivia$0169383
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910451714303321
996   $aAssembling the lyric self$9490320
997   $aUNINA